The very best ‘til last for 2022? Quite possibly, with this absolute belter from Robert Lloyd, Fliss Kitson and co, this October release packed with superbly Beefheart-esque, stompy, infinite wit, riff and rhythm change. Standouts? Hard to pick really as the entire album is a relentless onslaught of brilliance, but particularly I Love CCTV, Sunlit Uplands (Turn That Frown Upside Down) with Kitson’s drumming particularly shining out, the pub-piano and brassy Bloody Breath, I Needed Money At The Time, Magical Left Foot and the psychedelic Mark Meets No Mark. Timelessly inventive, energetic and extraordinary. Out on Tiny Global Productions, Bandcamp or The Nightingales website.
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