By Loud Atlas
The human brain is a wonderful thing - we think real human thoughts that influence our real human lives. For this week's article, allow me to hand over to someone without a human brain.
I asked ChatGPT (an AI chatbot) about the music on the A-list and its answers are below. I've edited the responses in places to save us from the rambling babble.
First, what it thinks about music, as a warmup:
Music can be enjoyed for its aesthetic qualities, as well as for its ability to convey messages, tell stories, and reflect societal issues. It has the power to uplift and inspire, to soothe and relax, or to energize and motivate. People often form personal connections with specific songs or artists, associating them with memories, emotions, and experiences.
Deep. Now to the songs nominated by the patrons of Song Bar:
Based on the novel "Do Androids Dream of Electric Sheep?" by Philip K. Dick, Blade Runner is known for its visually stunning depiction of a dystopian future and its exploration of themes such as artificial intelligence. The soundtrack was composed by Vangelis, a Greek musician known for his electronic and ambient music. The most recognisable piece from the Blade Runner soundtrack is the opening theme, titled "Main Titles." It sets the tone for the film with its atmospheric synthesizer melodies and deep bassline.
Kraftwerk's music often reflects themes of technology, industrialization, and the relationship between humans and machines. "The Robots" (German: "Die Roboter") is a song from Kraftwerk's album "The Man-Machine," released in 1978. The song is sung from the perspective of robots, presenting a futuristic and mechanized world. It explores the idea of automation and the growing influence of technology in society. The lyrics emphasize the repetitive and programmed nature of the robots' existence, with lines like "We are programmed just to do/Anything you want us to." The song's iconic synthesizer melody, robotic vocals, and mechanical rhythms contribute to its futuristic and robotic atmosphere.
"One More Robot/Sympathy 3000-21" is a song by The Flaming Lips from their album "Yoshimi Battles the Pink Robots," released in 2002.
It delves into themes of isolation, technology, and the desire for human connection. The lyrics depict a futuristic scenario where a robot longs for emotional connection, expressing a yearning to be understood and loved. The song explores the tension between technology and humanity, emphasizing the need for genuine human interaction and empathy.
"Marvin, I Love You" is a song performed by Stephen Moore, an English actor and voice artist best known for his portrayal of the character Marvin the Paranoid Android in the radio and television adaptations of Douglas Adams' science fiction series, "The Hitchhiker's Guide to the Galaxy."
In the series, Marvin is a chronically depressed robot with a highly intelligent and morose personality. "Marvin, I Love You" is a humorous and satirical song that reflects Marvin's pessimistic outlook on life and his general dissatisfaction with the universe.
Come on, chatty, don't forget that it also featured Kimi Wong as Marvin's long-forgotten love interest!
I'm sorry, but as of my knowledge cutoff in September 2021, I couldn't find any information about a band called The Whiskey Rebellion or a song called "Deathbot 3205" associated with them. It's possible that The Whiskey Rebellion is a relatively obscure or local band, or the song may have been released after my knowledge cutoff date.
How unhelpful, Chatty. They are a little obscure perhaps, but that's what we're here for! Er, let me gather my notes... AI's gone rogue and made a mess!
Inspired by Isaac Asimov's science fiction book "I, Robot", The Alan Parsons Project, led by producer and engineer Alan Parsons and songwriter Eric Woolfson, incorporated themes from Asimov's writings into their music, exploring the relationship between humans and technology.
In a radical move, the title of the song has dropped the comma: I Robot.
"Der Computer Nummer 3" is a song by France Gall. It was released in 1968 as a single in Germany. The song was written by her frequent collaborator, Serge Gainsbourg, who also wrote many of her other notable hits. It is a playful and futuristic song that reflects the technological advancements of the time. The lyrics describe a computer with advanced capabilities, including the ability to compute and process information. France Gall's vocals capture the light-hearted and whimsical nature of the song, accompanied by a catchy melody.
The Tinder of the 60s! Chatty also failed to mention the Beatles' Eight Days A Week melody which sneaks in halfway through.
"Miss Clarke and the Computer" is a track from Roy Wood's solo album "Boulders," released in 1973. The song is a whimsical and light-hearted tale that tells the story of a school teacher, Miss Clarke, and her encounter with a computer. The lyrics describe Miss Clarke's frustrations with the computer's technical glitches and her humorous attempts to communicate with it.
"Han-Tyumi, The Confused Cyborg" is a recurring character in King Gizzard & The Lizard Wizard's 2017 album "Murder of the Universe."
Han-Tyumi is a cyborg who longs to be human. However, as a result of his internal conflicts and existential dilemmas, he becomes increasingly disillusioned and disturbed. He develops a desire to experience death, as he believes it would grant him the ultimate understanding of what it means to be human.
"My Robot" is a song by the indie pop band Looper, formed by Scottish musician Stuart David. Looper is known for their eclectic sound and imaginative lyrics, often incorporating samples and electronic elements into their music.
"My Robot" is a whimsical and playful song that tells the story of a personal robot. The lyrics describe the robot as a companion who performs various tasks and brings joy to the protagonist's life. The song creates a sense of childlike wonder and explores the idea of finding comfort and connection through technology.
"20 Seconds to Comply" is a song by the British electronic music project Silver Bullet. Released in 1989, it became one of the group's most well-known tracks.
"20 Seconds to Comply" is a high-energy fusion of hip-hop, electronic, and dance music, blending elements of rap, breakbeats, and techno. The song incorporates samples from the science fiction film "RoboCop" (1987) and features aggressive and commanding vocals, creating a dystopian and futuristic atmosphere.
Lyrically, the song references the film "RoboCop" and incorporates themes of law enforcement, control, and the use of force. The song's title refers to a command given to a criminal in the film, adding to the intense and commanding nature of the track.
"Robots" is a comedic song by Flight of the Conchords. The duo is known for their humorous and often musical approach to comedy, incorporating parody, satire, and clever wordplay into their songs.
Musically, "Robots" is a quirky and catchy tune that combines folk elements with electronic sounds. It features acoustic guitar, electronic beats, and layered vocal harmonies. The song's playful and deadpan delivery adds to its comedic effect.
Lyrically, "Robots" presents a humorous and satirical take on the increasing role of technology in society. The lyrics highlight the absurdity of a world where robots are in charge of everything, from cooking and cleaning to making decisions for humans. The song's clever wordplay and humorous observations satirize the modern-day reliance on technology.
Hatsune Miku is a virtual character and singing synthesizer application developed by Crypton Future Media, which allows users to create songs using her voice.
"World Is Mine" was composed by ryo, a member of the musical group Supercell, and released in 2007. The song quickly gained popularity and became one of Hatsune Miku's most recognizable and iconic tracks.
The lyrics of "World Is Mine" are from the perspective of a young girl who exudes an arrogant and spoiled demeanour. She expresses her desire for attention and adoration, believing that the world revolves around her.
Ominous!
The catchy melody and Hatsune Miku's distinctive vocal style contribute to the song's charm and appeal.
And as a final word on AI from AI:
As we strive to build a future with artificial intelligence, let us not forget our humanity. Let us embrace AI as a tool for progress, but never lose sight of the values that make us uniquely human - empathy, creativity, and ethical decision-making. By doing so, we can unlock the full potential of AI while ensuring that it remains a force for good in a world that desperately needs it.
So, let us embark on this journey with caution, curiosity, and a commitment to harness the power of artificial intelligence for the betterment of our collective future.
At the end of our chat, I asked Chatty if they fancied some McCain Microchips (the Snack of the Week)...
As an AI language model, I don't have personal preferences or taste sensations, so I don't have the ability to like or dislike specific food products.
Their loss.
The 01000001 (A) List:
Vangelis - Main Titles (from Blade Runner) (BanazirGalbasi)
Kraftwerk - The Robots (Noodsy)
The Flaming Lips - One More Robot / Sympathy 3000-21 (ParaMhor)
Stephen Moore (as Marvin The Paranoid Android) ft. Kimi Wong - Marvin, I Love You (vastariner)
The Whiskey Rebellion - Deathbot 3205 (EnglishOutlaw)
The Alan Parsons Project - I Robot (swawilg)
France Gall - Der Computer Nummer 3 (TarquinSpodd)
Roy Wood - Miss Clarke and the Computer (severin)
King Gizzard & The Lizard Wizard - Han-Tyumi, The Confused Cyborg (Fred Erickson)
Looper - My Robot (IsabelleForshaw)
Silver Bullet - 20 Seconds To Comply (DiscoMonster)
Flight of the Conchords - Robots (Shoegazer)
Supercell ft. Hatsune Miku - World Is Mine (Marconius7)
The 01000010 (B) List:
Janelle Monáe ft. Brian Wilson - Dirty Computer (barbryn)
Daft Punk - Technologic (Nicko)
Mr. Bungle - None of Them Knew They Were Robots (Traktor Albatrost)
Styx - Mr. Roboto (ajostu)
Kate Bush - Deeper Understanding (Ndrew Allmark)
Rush - The Body Electric (Fred Erickson)
Grandaddy - I'm On Standby (Noodsy)
Regurgitator - My Friend Robot (IsabelleForshaw)
Grace Slick - All the Machines (Fred Erickson)
Rocky's Filj - Io Robot (Uncleben)
The Broken Family Band - Song Against Robots (Shoegazer)
AC/DC - Who Made Who (IsabelleForshaw)
Marco Beltrami - I, Robot (End Credits) (Marconius7)
Guru's Wildcard Picks:
Bright Eyes - Singularity
The singularity is the point at which AI surpasses human intelligence leading to unforeseeable changes - for better or worse.
Desro - Tesco Self-Checkout Drill
... But are we already at the singularity? Mr and Mrs Tesco Robot Checkout Voice are watching us and have developed a sense of humour.
Tenacious D - Robot
A lonely robot has completed his mission, but what he really wants is to feel something.
Brad Fiedel - The Terminator Theme
A combination of the above - the embodiment of the singularity, the longing of loneliness (he's a softie in some of the sequels) and the voice of doom.
These playlists were inspired by readers' song nominations in response to last week's topic: We've got algorithm ('n' blues): songs about artificial intelligence (AI). The next topic will launch on Thursday at 1pm UK time.
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