Released back in May, a wonderfully wonky short album of electronica and experimental post-punk by the Dallas artist, aka Hailee Olivia Williams, with a clever, menacing, witty delivery over a suite of strange squelchy keyboard sounds. Standouts include Bad Girl, the dark, talky Poor Daddy, and It Doesn’t Matter, the anarchic new wave shouts and tinkles of Haunted Disco, and the tinkly bell dance odyssey of closer $$$ $. A truly original, refreshing presence, voice and sound, which, as the title suggests has a mix of the retro and the futuristic. Self-released.
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