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Marnie Stern: The Comeback Kid
New album: A joyously noisy return of proclamatory, zingy, explosively proggy indie-rock with the first album in 10 years since by the New York guitarist and singer, since 2013’s The Chronicles of Marnia
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Deerhoof: Miracle-Level
New album: A 19th studio album by San Francisco the prog-punk-jazz experimentalists drummer Greg Saunier, guitarists Ed Rodriguez and John Dieterich, and bassist/singer Satomi Matsuzaki is another blast of brilliant musicianship, but also the first entirely sung in Matsuzaki’s native Japanese
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Oneida return with the appropriately titled album, Success
New album: The veteran (25 years) New York indie rock band’s first album since 2018’s Romance is a refreshing bounce back of unpretentious joy, krautrocky rhythms, Ramones strums, and rasping guitar Sonic Youth-type squawls, with and LP that’s a throwback that also feels fresh
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The prolific Deerhoof’s latest as ever original LP: Actually, You Can
New album: Released late in 2021, San Francisco indie-prog experimental quartet’s 18th studio LP is a frenetic, pace-changing, daredevil record, challenging social and political norms, laced with interwoven and blistering guitar, bass, and drums alongside Satomi Matsuzaki’s distinctive vocals
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Tropical Fuck Storm’s back for a third helping
New album: The third album by the Melbourne quartet of two ex-Drones and more is a magnificently anarchic mix of thrummingly clever noise and art-rock, postpunk, and wittily inventive, sweary, crafted chaos
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Reason To Live by Lou Barlow
Album review: The veteran singer-songwriter, previously of Dinosaur Jr., Sebadoh and The Folk Implosion, returns with a melancholy but still joyously uplifting new solo album of lo-fi indie folk, acoustic guitar, jaunty and poignant numbers
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Match the covers to the artists …
This week’s selection includes Lady Gaga throwing in the full pop kitchen sink, an apocalyptic concept from Deerfhoof, a witty debut by The Cool Greenhouse, plus Nicole Atkins, Blake Mills, PINS and more
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