After our previous Eric B. and Rakim number, Know The Ledge, it's a different, double-edged song, and a debut by Brooklyn's James Murphy and co satirising the fear of not staying in vogue. Amusing and ironic for a song that was their debut single in 2002, and eventually part of their acclaimed first, eponymous album in 2005, when they were very much seen as the next big thing, the song is inspired Murphy being employed as a DJ but worried about being exploited to make others look cool, and yet his narrator is the proud music fan who fears being outdated. Naming many of his favourite bands spanning the psychedelic, krautrock, punk, post-punk and pop genres, it's a an ironically angry, neurotic, bragging manifesto of great music, including mention of more obscure acts such as early-80s The Peech Boys, as well as an affectionate swipe at French boys Daft Punk, who of course are in referenced in their later song Daft Punk Are Playing In My House. The song itself is more of a poetic rant with a great electronic dance backing track, with a rhythm that may certainly, in terms of rhythm, have been inspired by Killing Joke' post-punk song Change from 1980, which contains, by contrast, hardly any lyrics at all.
Yeah, I'm losing my edge
I'm losing my edge
The kids are coming up from behind
I'm losing my edge
I'm losing my edge to the kids from France and from London
But I was there
I was there in 1968
I was there at the first Can show in Cologne
I'm losing my edge
I'm losing my edge to the kids whose footsteps I hear when they get on the decks
I'm losing my edge to the Internet seekers who can tell me every member of every good group from 1962 to 1978
I'm losing my edge
To all the kids in Tokyo and Berlin
I'm losing my edge to the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered Eighties
But I'm losing my edge
I'm losing my edge, but I was there
I was there
But I was there
I'm losing my edge
I'm losing my edge
I can hear the footsteps every night on the decks
But I was there
I was there in 1974 at the first Suicide practices in a loft in New York City
I was working on the organ sounds with much patience
I was there when Captain Beefheart started up his first band
I told him, "Don't do it that way. You'll never make a dime."
I was there
I was the first guy playing Daft Punk to the rock kids
I played it at CBGB's
Everybody thought I was crazy
We all know
I was there
I was there
I've never been wrong
I used to work in the record store
I had everything before anyone
I was there in the Paradise Garage DJ booth with Larry Levan
I was there in Jamaica during the great sound clashes
I woke up naked on the beach in Ibiza in 1988
But I'm losing my edge to better-looking people
With better ideas and more talent
And they're actually really, really nice
I'm losing my edge
I heard you have a compilation of every good song ever done by anybody. Every great song by the Peech Boys. All the underground hits. All the Modern Lovers tracks. I heard you have a vinyl of every Niagara record on German import. I heard that you have a white label of every seminal Detroit techno hit - 1985, '86, '87. I heard that you have a CD compilation of every good '60s cut and another box set from the '70s
I hear you're buying a synthesizer and an arpeggiator and are throwing your computer out the window because you want to make something real. You want to make a Yaz record
I hear that you and your band have sold your guitars and bought turntables
I hear that you and your band have sold your turntables and bought guitars
I hear everybody that you know is more relevant than everybody that I know
But have you seen my records? This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars, The Trojans, The Black Dice, Todd Terry, The Germs, Section 25, Althea and Donna, Sexual Harrassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, Fania All-Stars, The Bar-Kays, The Human League, The Normal, Lou Reed, Scott Walker, Monks, Niagara
Joy Division, Laurent Garnier, The Creation, Sun Ra, Scientists, Royal Trux, 10cc
Rammellzee, Eric B. and Rakim, Index, Basic Channel, Soulsonic Force (just hit me!), Juan Atkins, Manuel Göttsching, David Axelrod, Electric Prunes, Gil! Scott! Heron!, The Slits, Faust, Mantronix, Pharaoh Sanders and The Fire Engines, The Swans, the Soft Cell, The Sonics, The Sonics, The Sonics, The Sonics.
You don't know what you really want [repeated]
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