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Thus Love’s forthcoming album, All Pleasure
Song of the Day: Swaggering, stylish indie postpunk, with a touch of Arctic Monkeys, by the band from Brattleboro, Vermont, with a strangely disturbing celebratory video (also featuring an owl), and heralding their sophomore album, All Pleasure, out 1 November via Captured Tracks
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GIFT - Wish Me Away
Song of the Day: A refreshing, breezy sound by the indie-psychedelic Brooklyn quintet about letting everything slip away, a laissez-faire double-edged feeling of despair and optimism, their first single for Captured Tracks
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The Lemon Twigs - My Golden Years
Song of the Day: After the beautiful melancholy of their last year’s Everything Harmony album, the Long Island brothers Brian and Michael D'Addario return with a smooth, jangly, glowing, wistful, 70s-style Byrds-echoing rock number about making the most of your time
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Becca Mancari’s latest album, Left Hand
Song of the Day: Taken from their recent album, Left Turn, a beautiful, lush, melancholy, heartbreak number of layered guitars and subtle vocals by the Nashville-based indie-folk singer-songwriter and musician from Staten Island
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Drahla: Lip Sync
Song of the Day: Dark, alluring, smart art post-punk with angular guitar, a thrumming bass line and semi-spoken vocals by the band from Leeds inspired by the idea of syncing to social norms, social deflection without being fully present
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Now you see us: The Lemon Twigs - Corner Of My Eye
Song of the Day: A delicate, tender and gentle new single, their first since 2020 by the Long Island multi-instrumental and high singing brothers Brian and Michael D’Addario which harks back to a Laurel Canyon 1970s sound
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Widowspeak: Molly Hamilton and guitarist Robert Earl Thomas
Song of the Day: With a bass line to die for, and guitar riff and vocal that trips effortlessly around a beat, this number from Brooklyn pair Molly Hamilton and guitarist Robert Earl Thomas’s new album Plum, has a wry double edge and a dash of menace
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