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Alex Izenberg’s third album I’m Not Here
New album: Mellow, easy-paced and gently decorated with piano and classical strings, this timeless, mid-70s psych-pop-rock is the third from the Los Angeles singer-songwriter who echoes elements of Harry Nilsson, Randy Newman and King Crimson
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Gentle Sinners: These Actions Cannot Be Undone
New album: An intriguing, innovative new collaborative project by James Graham of The Twilight Sad and Aidan Moffat of Arab Strap culminates in this mysterious, genre-defying, experimental album of oddly poetic numbers
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Daniel Rossen’s debut solo album
New album: A mesmerically rich, beautifully swirling fusion of acoustic and flamenco guitar, symphonic folk, classic and jazz by by the Grizzly Bear guitarist and vocalist whose voice has the sensitivity, warmth and honest of Elliott Smith, in this wonderful solo debut
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The prolific Deerhoof’s latest as ever original LP: Actually, You Can
New album: Released late in 2021, San Francisco indie-prog experimental quartet’s 18th studio LP is a frenetic, pace-changing, daredevil record, challenging social and political norms, laced with interwoven and blistering guitar, bass, and drums alongside Satomi Matsuzaki’s distinctive vocals
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Take your pick. Are your favourites here? Also check out Part 2 coming soon.
Favourite albums of 2021, part 1: Another difficult year for everyone, but from soul and jazz, electro-pop the experimental and avant-garde, an outstanding one for music releases, perhaps in part because out of diversity comes great art. Also feel free to explore Part 2, which is now available to view here.
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Richard Dawson and Circle’s collaborative album Henki
New album: An entrancing, uplifting, brilliantly crafted and epic-feel mix of folk, prog and krautrock through tales of seeds, botany, history and myth by the Newcastle artist in collaboration with the Finnish metal band in a fabulous album unlike any other in 2021
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Talk Memory by BADBADNOTGOOD
New album: Mind-bending, mesmeric and complex but also accessible sixth album of jazz and prog by the band from Toronto, much via improvisation but also with a collaboration by legendary Brazilian composer Arthur Verocai
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Public Service Broadcasting’s Berlin album
New album: The historical archive-inspired band’s fourth LP is entirely centred around the city of Berlin, and is a far more impressionist and instrumental than previous, with German language vocals and a nod to Weimar era and David Bowie’s Low album
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K Bay is Matthew E. White’s third album under his own name
New album: Dynamic, diverse and undefinable, this first solo album for six years by the witty Virginia songwriter, producer, and founder of Spacebomb Records founder spans genres from funk, electronica, piano pop and disco to the playful and experimentally cinematic
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Run to the record shops, and then to the hills, with Iron Maiden’s new apocalyptic album
New album: Epic, apocalyptically double, packed with changes of pace and power, elements of folk and prog, and filled with references to the ravages and ironies of history, ancient and modern, the time is ripe to indulge in the quintessential British metal band’s 17th studio album
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New album: An upbeat, wonderfully catchy and evocative new LP release by the Blur guitarist of pop-indie-disco-funk-prog numbers as soundtrack to a book of 15 graphic novel sci-fi stories, in a dystopian setting stemmed from his passion for the genre
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Deafheaven’s fifth studio album Infinite Granite
New album: Better know as a post-black metal band, San Francisco’s George Clarke, Kerry McCoy and co return with an LP of soaring, ethereal shoegaze rock – jangling guitars and clean vocals that turn the growl into smooth and dreamy
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Sleater-Kinney’s surviving members Corin Tucker and Carrie Brownstein
Album review: This fine 10th studio album by Tucker and Brownstein was recored in Portland the summer of 2020 and rails against a backdrop of social unrest, devastating wildfires, and pandemic with a sound that has echoes of Steely Dan to Talking Heads and B-52s
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Black Midi’s Cavalcade album cover looks as it sounds
Album review: The British quartet’s second album after 2019’s Schlagenheim continues their boundary-pushing direction of frenetic, eclectic mix of the avant garde – jazz, funk, prog in a skilled delirium of wonderful compositions
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Matt Berry’s latest LP. If Francis Bacon had painted the Elephant Man.
Album review: Like a boy in a music shop let loose with all the toys, a thoroughly enjoyable and musically impressive psych-prog journey full of sonic humour and riffing adventure in this latest LP by the popular British comic actor
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Squid’s full debut LP Bright Green Field
Album review: A bold, expansive, experimental and exciting full debut by the postpunk Brighton five-piece, with songs full of musical adventure and dynamic changes, combining krautrock, prog and even a dash of jazz
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Greta Van Fleet
Album review: This second LP by the quartet from Michigan will again raise Led Zeppelin comparisons, but the derivative 70s rock influence on the Kiszka brothers and drummer Danny Wagner also has vocal echoes of Rush, and especially Slade
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Ryley Walker’s Course in Fable
Album review: A 10th album of seven highly agile, experimental prog-jazz acoustic guitar-based numbers deftly performed by the Illinois-born, New York-based singer-songwriter and produced by Tortoise's John McEntire
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Sunburned Hand Of The Man’s latest album
Album review: An eclectic and fascinating album of newly edited tracks by the prolific Boston Massachusetts collective, covering everything from gentle acoustic to thrash metal, indie, psych, electronica, krautrock and everything in between
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Israel Nash
Album review: The Texas singer-songwriter’s latest LP indeed is a gem – infused with slow country, prog rock, southern gospel-soul, the folk and ‘70s psych-rock, with more than a dash of Neil Young, slide guitar and geographical reference
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