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The second part of our favourite albums of 2024
Favourite albums of 2024: Welcome to The Song Bar’s favourite albums of 2024 Part 2. Part 1 can be found here. There’s no such thing as ‘best of’ and everything is subjective, but please dig into this rich seam of originality and quality, and even suggest more of your own
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Native Harrow: Divided Kind
Album review: Released in September, classy, meticulously crafted, intelligent, warm Americana mix of folk, rock, pop and country by the Philadelphia duo of vocalist Devin Tuel and multi-instrumentalist Stephen Harms in this sixth LP
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Aisha Badru: The Sun Still Rises
New album: Simple, soothing, gently philosophical but also emotional songs come with the breathy, tender voice of the New York singer-songwriter in this second album of lovely acoustic folk-pop, following 2018’s Pendulum, as well as several EPs
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Silkroad Ensemble with Rhiannon Giddens: American Railroad
New album: The latest in the Nashville singer’s projects with an international collective of musicians interprets traditional creates new folk songs, themed the tough history of the US rail frontier that was mostly built by Irish, African American, Chinese and Japanese immigrants
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Kim Deal: Nobody Loves You More
New album: After various singles over the years, the former Pixies member, and Breeders musician finally releases her first full solo album, a truly fabulous execution of superb songwriting, sharp, heartbreak lyrics, diverse musical styles and instruments across indie, rock and pop, all performed with beautiful tenderness, grit and gusto
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Haley Heynderickx: Seed of a Seed
New album: Delicious, intelligent, playful, gorgeous, witty folk with a country flavour by the honey-voiced Oregon singer-songwriter, packed with lyrically vivid images and perceptive, humorous lyrics, with fabulous finger-picking guitar, with added cello and trombone
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Leon Bridges' fourth LP: Leon
New album: Silky smooth soul-pop with a richly orchestral 70s style and country hues by the high-voiced Fort Worth Texan singer-songwriter in this summery, honey-flavoured, highly polished fourth LP
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Bright Eyes: Five Dice, All Threes
New album: Equal measures of toe-tapping catchiness, poignantly sharp, intelligent lyrics, intensity, tenderness and moving melancholy come in this excellent new LP by the US indie-folk rockers fronted by singer-songwriter and guitarist Conor Oberst, and featuring guests Cat Power, The National’s Matt Berninger, with co-writing by Alex Orange Drink of New York punk band The So So Glos
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MJ Lenderman: Manning Fireworks
New album: Engagingly easygoing alt-Americana-country-rock drawl underpinned by darkly humorous, droll lyrics in this excellent fourth LP by the sharp 25-year-old Asheville, North Carolina singer-songwriter in this follow-up to 2022’s Boat Songs
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Brigitte Calls Me Baby: The Future Is Our Way Out
New album: Summoning musical echoes and powerful, soaring vocals reminiscent of The Smiths and Vauxhall-era Morrissey and dash of rockabilly, Richard Hawley, Elvis Presley and Roy Orbison, an impressive debut from the Chicago-based rock band fronted by vocalist – the be-quiffed Wes Leavins
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Orville Peck: Stampede
New album: A hugely enjoyable, mischievous, tuneful and genre-spanning LP by the South African-born openly gay but often masked country singer-songwriter, joined by an impressive array of co-performers doing original numbers and covers, including Beck, Elton John, and Willie Nelson
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Cassandra Jenkins: My Light, My Destroyer
New album: A strong, sensual, astronomy-themed third experimental album by the New York singer-songwriter, mixing gentle indie, dream pop, jazz and field recordings in this alluring contemplation on the heartbreaks and highs, the quarks and quasars that make up her universe
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Richard Hawley: In This City They Call You Love
New album: The veteran Sheffield singer-songwriter returns his ninth solo LP, a touching, gentle love letter to his home city, referencing that South Yorkshire universal term of address, local characters and perspectives, with a set of heartwarming, heartfelt indie, blues, and Americana-style numbers
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Kaïa Kater: Strange Medicine
New album: A beautiful fourth album by the acclaimed Montreal-born banjo player and singer-songwriter of Grenadian heritage, mixing folk, Americana and bluegrass with a palette of sounds – percussion, orchestral strings and brass in songs mixing history, politics and the personal
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Cindy Lee: Diamond Jubilee
New album: One of the most unusual releases of the year – 32 tracks, more than 2 hours, with the style from an indeterminate era, perhaps ghostly love song echoes of 60s girl groups – come delicate and crash-bang electric guitar, percussion and vocals from the glammed-up alter ego of Canadian songwriter, guitarist, and drag performer Patrick Flegel
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Leyla McCalla: Sun Without The Heat
New album: A deliciously uplifting fifth solo LP by the American singer-songwriter and mult-instrumentalist, fusing folk, country, Americana, Afrobeat to Brazilian tropicalismo
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Beyoncé: Cowboy Carter
New album: A big, bold rhinestone-studded musical statement from the US megastar, delving deep into country & western territory and cross-pollinating with pop, soul, rock and R&B, with added Beatles, and guests including Dolly Parton, Willie Nelson and Miley Cyrus on this whopping 27-track LP
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Waxahatchee: Tigers Blood
New album: Following 2020’s acclaimed album Saint Cloud, Alabama-raised, Kansas City-based singer-songwriter Katie Crutchfield returns with a strong, solid, steady release that sits comfortably in the middle ground of Americana, pop and country
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Adrianne Lenker: Bright Future
New album: The Big Thief singer-songwriter returns with another solo folk album – minimally exquisite, delicate, at times heartbreakingly, with a title that is ambiguous - a future that could be beautiful and dazzling, but also blinding and burning
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Faye Webster: Underdressed At The Symphony
New album: Gentle, reflective indie with flecks of country in this fifth LP by the Atlanta singer-songwriter, capturing tiny, intimate details of life’s in-between, under-the-radar moments, and inspired by the idea of slipping late in the audience at an Atlanta Symphony Orchestra concert
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