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What goes around …
The end has to come, but how, in an outro or coda, does a song or piece offer something different, original, unusual or memorable, musically or even lyrical form, a twist, a mood change, upbeat, downbeat or even a sense of unresolved mystery?
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How to putt it? Fiddling while Rome burns …?
Whether genuine or feigned, in love, politics or the natural world, it’s as all-pervasive as gravity, and with a pulling power just as immense. So tugging against it, what bigger form of attention-seeking is there than writing and performing a song? But how do songs deal with indifference?
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Frank Sidebottom, aka Chris Sievey
From Ancient Greeks to pop personas, they are a fascinating indication of what it is to be human – wearing them, looking at them, putting on or removing, and what they do to the self - projecting, hiding or expressing. Here’s some inspiration …
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Don't be alarmed. Something to whet the whistle, darling?
From gloom to horny joy, scary or strange surprises to dire straits, this week let's explore all the lyrical and musical sides of regain consciousness in song, with some stimuli here from other forms – film and books
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