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Kelora
Song of the Day: Mesmeric, shimmering, haunting psychedelic dream pop and cyber folk by the Glasgow-formed, London-based duo of Kitty Hall and Benedict Salter, heralding their new album, Sleepers, out on 10 February via True Panther Records
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Seraphina Simone - Better Days
Song of the Day: Vibrant pop about getting over heartbreak with distinctive synth sounds, tight vocal harmonies and intricate drum’n’bass rhythms by the London-based artist who is also daughter of 80s star Terence Trent d’Arby
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Underworld … rolling back the years
Song of the Day: After a recently released acappella version, Karl Hyde and Rick Smith return in their full buzzing Friday pulsating momentum with an 8-minute dance version of this track
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Tracey Thorn and Ben Watt
Song of the Day: Heralding the forthcoming Fuse, their first album for 24 years, since 1999’s Temperamental, the veteran duo of Tracey Thorn and Ben Watt return with a beguiling, melancholy electro-pop single of club beats and soulful yearning
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Gaz Coombes’ forthcoming new album Turn The Car Around
Song of the Day: With a dramatic, cinematic, soaring melody, piano and backing singers, a powerfully passionate new single by the Supergrass frontman from his forthcoming new solo album, Turn The Car Around, out in January on Hot Fruit Recordings/Virgin
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Red alert: here’s comes De Staat
Songs of the Day: Stylish, syncopated, restless, witty, and slightly menacing, these punchy and pulsating new numbers by the entertaining Dutch alt-rockers comes from their new playlist of songs grouped under different colours – red, yellow, blue
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Leftfield’s forthcoming fourth studio album
Song of the Day: A welcome return by the British electronic duo of Neil Barnes and Adam Wren in this mesmeric clever dancefloor number that has a wobbly echo of the classic 1990s single Phat Planet, and comes from the forthcoming album This is What We Do
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The Freshies, featuring Chris Sievey, who later became Frank Sidebottom
Song of the Day: We continue our tributes to Manchester's music scene with a humorous pop punk classic from 1980, with an absurdly long title that captures adolescent love and passion for records
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