Your Custom Text Here
I Monster
Song of the Day: To go with the flowering of British weather, let's dream to some electronic psychedelia by the Sheffield-based pair of Dean Holder and Jarrod Gosling from their 2003 album Neveroddoreven and its sampled origins
Read more
Manchester's Hacienda in 1988
Song of the Day: After yesterday's classic Orb track, another club classic, this time from 1988 and synonymous with the acid rave scene of Manchester's Hacienda, but also the offbeat sample Derek and Clive aka Peter Cook and Dudley Moore
Read more
The 1990 cassette single
Song of the Day: A nimbus-rich 1990 song much loved by anyone of a certain age who went out during a particular era - the dance and club scene of the late 80s and onwards, but who are the voices and samples within it?
Read more
Racing Yello? Dieter Meier and Boris Blank
Song of the Day: After the perfect pace and beautiful simplicity of Kraftwerk's Autobahn, here's a contrast race forward from handcraft in Germany to flashy millionaire Switzerland, snorting that white line of road into an 80s concoction of speed-and-coke-crazy synth sampling
Read more
Kraftwerk in more recent performance of that timeless classic
Song of the Day: Our previous two selections have been big synth pop hits, but here is where that all really came from – down an unclogged motorway all the way to Düsseldorf, and the timelessly influential work of Ralf Hütter and Florian Schneider
Read more
The Human League, featuring Phil Oakey, third from left.
Song of the Day: More love song action, and groundbreaking synth pop, following yesterday's Eurythmics, with Phil Oakley and the Sheffield crew pumping out a classic from the 1981 album Dare
Read more
The odd couple. Annie Lennox and Dave Stewart.
Song of the Day: The 'love is' mini-theme today moves onto to a different genre – early 80s electronica pop, served up by the enigmatic Annie Lennox and Dave Stewart
Read more
Field Music's 2018 album Open Here
Song of the Day: How to create a value system for modern life? Just as this is hard to quantify, it is equally difficult to categorise the musical style of the Sunderland band, whose latest, sixth album, Open Here, addresses a variety of contemporary issues
Read more
Over the moon and far away: Can in 1973 and their cover for the album Soon Over Babaluma
Song of the Day: Continuing the lunar theme, and extending to the outer limits of experimentalism after Moondog and Captain Beefheart, the sequence also ties in with the German band also highly influential on the late Mark E Smith
Read more
Chrome Hoof. From another time, another place …
Song of the Day: Another selection made on the hoof, and today we're really pushing to the outer reaches of experimentation with the strange fusion of dance, psychedelia, prog-rock, jazz and electronica provided by London group from their second album, 2007's Pre-Emptive False Rapture
Read more
From the video for Let There Be Horns
Song of the Day: Echoing yesterday's great drum break, let's now celebrate the work of the Ohio multi-instrumentalist and hip-hop artist, who is behind the theme tune to Mad Men, and so much more
Read more
Warp(ed). Plaid's Andy Turner and Ed Handley (sort of)
Song of the Day: Connecting to yesterday's Nicolette song, one from her album 1996 producers, the electronic music duo Andy Turner and Ed Handley. This inventively witty track from the 2003 album Dial P (Warp) builds beautifully with a series of clicks, beats and buzzes, with a video by the French collective Pleix that satirises the world of marketing and meat production
Read more
From the cover of Nicolette's album Let No-One Live Rent Free in Your Head
Song of the Day: Alongside Tricky, another collaborator who appeared on Massive Attack's 1994 album Protection, Scottish/Nigerian Londoner Nicolette Love Suwoton's slightly forgotten gem from her brilliant second LP Let No-One Live Rent Free in Your Head, is a sensual mix of electronica, pop, jazz and and trip-hop, yearning for an apolitical utopia
Read more
Swan song? St Vincent in the New York video
Song of the Day: Two contrasting songs from the artist also known as Annie Clark, mixing sassy, satirical techno pop with intelligent social observation, the other a soulful love song. Both are about opposite cities of the US and from her forthcoming album Masseduction
Read more