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Marta Del Grandi - The Best Sea
Song of the Day: Following last year’s exquisite album, Selva, the Italian singer-songwriter from Milan returns with a beautiful new single with a metaphor reflecting on themes of sisterhood and the evolution of close relationships
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Divorce’s new single Gears
Song of the Day: Following last year’s acclaimed EP, Heady Metal, the Nottingham indie-alt-country quartet return with a stirring number about the frustrations of multi-tasking and balancing work, social and performance/creativity
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Peter Bibby in two of his guises
Song of the Day: … but not anymore!” The latest single by the witty Australian artist is a driving drum-machine, thrumming bass and blistering guitar punk banger, a humorous perspective on changing your ways, with vocal style influences such as Suicide and Throbbing Gristle
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Kaeto’s striking new look in the video for Don't Ask
Song of the Day: Funky, groovy, smooth and stylish, but with candid, caustic feminist lyrics about body and self-image come in this brilliant new single and video by the innovative Scottish London-based artist
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Dea Matrona’s forthcoming debut album For Your Sins
Song of the Day: Classic rock-pop with an new twist and a number about being hopelessly drawn to someone’s charm coming from the Belfast duo Mollie McGinn and Orlaith Forsythe, heralding their forthcoming debut album, For Your Sins.
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Yannis & The Yaw: the Foals’ frontman’s upcoming EP project
Song of the Day: Fabulous drumming from a past session by the departed legend Tony Allen, and passionate blues-rock vocals from Foals’ frontman Yannis Philippakis in this opening track from his new project and upcoming EP, Lagos Paris London – out on 30 August via Transgressive Records
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Lizzie Esau - Wait Too Late
Song of the Day: Powerful, dark, smouldering, stormy indie synth-rock single by the London-born, Newcastle-raised artist with a song raging against apathy and status quo in a world of climate meltdown and political turmoil
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Afflecks Palace
Song of the Day: An infectiously upbeat, positive, jangly guitar, fast-paced new single by the indie Manchester band named after the city’s famous market stall building, heralding their forthcoming third album
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Bad Bad Hats’ Kerry Alexander and Chris Hoge
Song of the Day: Taken from the recently released self-titled album Bad Bad Hats, a breezy, bright restless number with clever chord changes and uplifting melodies by the Minneapolis duo of Kerry Alexander and Chris Hoge
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Jordan Rakei
Song of the Day: The latest single by the silky-voiced London-based New Zealand-Australian soul singer brings also punchy horns and orchestra in a jazz-funk-Motown-style fusion, and comes from his forthcoming album, The Loop, out on 10 May via Decca Records
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Douglas Dare’s forthcoming fourth album, Omni
Song of the Day: A new single from the British singer-songwriter and pianist’s forthcoming fourth album, Omni, brings tender melodies, but leaves aside chamber pop acoustic instruments for electronica and synths in the spirit and influence of other artists such as Arca and the late SOPHIE, and with echoes also of Ryuichi Sakamoto and Yellow Magic Orchestra
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Big Special: Joe Hicklin, Callum Moloney and friend
Song of the Day: A change of pace to a gentler style by the usually punchier post-punk Walsall duo of singer and Joe Hicklin and drummer Callum Moloney, and number with a beautiful, tender, reflective melody and lyrics
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Hifi Sean and David McAlmont
Song of the Day: With a title that sums up that contradictory essence of great pop music, a fabulous new disco-flecked return from the Glaswegian musician and producer and the soulful, silkily, soaring voiced singer, taken from their forthcoming sophomore album, Daylight, out on 20 June on Rough Trade
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LA Priest’s upcoming EP, La Fusion
Song of the Day: What’s in the woods? A wonderfully upbeat and inventive swirl of nimble guitar, keyboards and vocals by the British artist Sam Eastgate from his upcoming EP La Fusion, out on 3 May via Domino Records
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Imogen and the Knife
Song of the Day: A fabulously dark, smoky, brooding, visceral debut single with richly swelling orchestration by the British singer-songwriter Imogen Williams, one about a failing relationship expressed in vivid, recurring dream, and “a waking realisation that unless addressed, the dream, and the pain, won’t leave”
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Eels Time!, the new album
Song of the Day: Another brilliantly darkly humorous, droll, vivid single by Mark Oliver Everett heralding a new Eels album, the 15th in all, Eels Time! and one of a few tracks he has co-written with All-American Rejects frontman Tyson Ritter
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Girl and Girl’s forthcoming album, Call A Doctor
Song of the Day: A Friday pair of upbeat, emotional, stirring, catchy, candid, witty, jangly guitar indie numbers by the band from Queensland, Australia, fronted by Kai James, heralding their upcoming album Call A Doctor, out on 24th May via Sub Pop
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Remi Wolf’s forthcoming LP, Big Ideas
Song of the Day: A new, fabulous funk, soul and pop single with a humorously self-detrimentally twist and entertaining flirty video by the Californian singer-songwriter from her upcoming album, Big Ideas, out in July
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Anna Erhard - Botanical Garden
Song of the Day: ‘They would not allow us to pick our favourite flowers’. A beautifully droll, catchy new indie number by the witty Berlin artist, here parodying a miserably bizarre Google-type online review
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Goat Girl
Song of the Day: Engrossingly downbeat, but with rippling passages of guitar arpeggios in between strums, an alluringly deadpan song by the south London indie band, heralding their next album, Below The Waste, out on 7 June via Rough Trade
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