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Turkish musician Görkem Şen playing his invention, the Yaybahar
Word of the week: Resonant, vivid, and otherworldly in sound, this extraordinary musical instrument was invented by the Turkish musician Görkem Şen who describes it as a “real-time acoustic string synthesizer”
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The erxian takes many years to master
Word of the week: One of China’s most important traditional bowed instruments with an unmistakable sound, dating back at least 2,000 years, with a hardwood neck and a rounded bamboo soundbox and two strings, it looks simple, but takes years to master
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The firikyiwa can be played on one hand
Word of the week: Pronounced free-chee-wah, and best known in Ghana and other parts of West Africa, this is a two-piece single-handed pod bell percussion instrument, with a round hollow iron shell worn on the index finger struck by the ring on the thumb
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Hyōshigi will regularly feature in Japanese kabuki theatre to call attention to the audience
Word of the week: Hyōshigi (拍子木) describes a simple, clapping percussion instrument with a sound evocative of Kabuki theatre and other Japanese traditions – two pieces of hardwood or bamboo connected by a thin ornamental rope – they bang together, sometimes with increasing speed.
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Don’t look back in anger, but inanga
Word of the week: A trough-style traditional zither played in Burundi, Rwanda, Uganda, and parts of the Democratic Republic of Congo, the soundboard with concave sides and six to eight string pitches on the pentatonic scale, its evocative plucked sound is often accompanied by poetic, sometimes whispered song narratives
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Milin Tulankar playing Jal Tarang
Word of the week: Also known as jal tarang (Hindi: जलतरंग) meaning waves of water this is a traditional, Indian subcontinent percussion instrument dating back to the 4th–6th centuries CE, comprising up to 22 porcelain or glass bowls filled with water and struck with sticks
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The k'lông pút is not played by touch, but handclaps forcing air through each tube
Word of the week: Also simplified to klong put, this Vietnamese traditional xylophone, played by Bahnar people, comes with a difference – instead of its bamboo tubes being struck, they are not touched at all – resonant pitches are produced by hand-clapping
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Sets of launeddas from Sardinia
Word of the week: A traditional polyphonic Italian reed instrument from Sardinia, also known as the triple pipe or clarinet, comprising three canes that requires circular breathing to produce drone and tuneful melodies
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Romanian nai virtuoso Gheorghe Zamfir
Word of the week: This Romanian 17th-century panpipe is a mainstay of traditional folk and classical music, wide in range and resonant, it is made up of at least 20 pipes made of bamboo or reed in the diatonic scale of C or G, and emits a clean, distinctive sound
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The płock, płocka or fidel płocka
Word of the week: Also called płock, płocka or fidel płocka, a box-shaped six-string traditional Polish folk violin, without fingerboard or tailpiece, played vertically resting on the knee, and pairs of strings doubling pitch to bring a rich, resonant sound
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A variety of ronroco models
Word of the week: An Andean 10-string (5 doubles) form of mandolin, baritone or bass charango, this beautiful instrument was invented in the 1980s by Gonzalo Hermosa González, of the group Los Kjarkas from Cochabamba, Bolivia and has been used in many acclaimed film scores
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The sistrum is an international percussion instrument but its origins date back to Ancient Egypt and the goddess Hathor
Word of the week: A percussion instrument dating back to Ancient Egypt with different varieties, mostly of U-shaped brass or bronze frame, with crossbars and moving metal hoops that when shaken make a soft clank or loud jangling
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A terpidion’s interior workings with rolling cylinder and leather-covered hammers create sound via friction
Word of the week: The terpodion, also known as uranion, is an extremely rare 19th-century keyboard instrument that, when keys are pressed, creates sound via friction against a rotating coated wooden cylinder
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The xaque-xaque has many alternative names …
Word of the week: Sometimes also xique-xique, a wonderfully evocative, onomatopoeic term for any kind of Brazilian rattle instrument, but when used in English referring more specifically to the maracas rattle
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Angklung set
Word of the week: This evocative word describes a rattling but tuneful musical instrument of the Sudanese people of Indonesia, made of bamboo tubes in a wooden frame, tuned to octaves like handbells, and shaken by hand to create a repeating, trembling notes
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The Tuvan byzaanchy
Word of the week: A distinctive sounding four-stringed vertical spike fiddle used in the traditional music of Tuva, similar to the Chinese sihu, but with a wooden soundbox, sometimes cylindrical or cubical, often with a with a carved head
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A standard cümbüş is unfretted, but other versions include frets
Word of the week: A 20th-century hybrid of oud and banjo, this Turkish instrument, meaning fun or revelry, has a wooden bowl for resonance, giving it rounder, less tinny sound, comes in fretless and fretted forms, and was created by Zeynel Abidin Cümbüş, who unusually renamed himself after his instrument
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A dundun set of three drums from the Playing For Change Foundation
Word of the week: These evocative, onomatopoeic variants are generic names for a family of West African talking drums, particularly in the Yoruba culture of Nigeria, Guinea, talking drums that mimic human speech, rope-tuned and cylindrical with a rawhide skin at both ends, and played with a stick
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Esterilla translates as ‘mat’ in Spanish
Word of the week: Translated as mat or placemat from Spanish, this traditional percussion instrument hails from Colombia and dates back to the 1960s, and consists of long, narrow pieces of wood or bamboo woven together and played by either bending it or rubbing it against itself
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Fujara players of Slovakia
Word of the week: A traditional Slovakian shepherd’s flute of unusual length (160-200cm) with distinctive deep mumbling tones, emitted by its lower register and very high overtones, a beautiful, meditative, ghostly sound, emitting melancholic and rhapsodic music, varying in relations to the life and work of the shepherd
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