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Loose Fit: Social Graces
New album: Fresh, raw and full of vitality, the debut album by the Australian quartet of Kaylene Miller, Anna Langdon, Max Edgar and Richard Martin is reminiscent of the British late-70s post-punk bands from the Slits to PIL
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Skinty Fia: the third album by Fontaines DC
New album: The Dublin indie band’s third album comes, alongside the powerful, gritty songwriting, with an expanded sonic identity – guitars atmospherically expressing the darker and unnerving, with some shades of the Cure
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Stylish, strutting, studied performance: Walt Disco
New album: Dramatic, declamatory, stylised and immensely fun, this witty dandy post-punk pop debut with thrumming bass lines and shimmering synths by the Glasgow six-piece with echoes of the 1980s from Associates, Bowie, Human League, Rocky Horror Picture Show to Sparks
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Bodega’s second album, Broken Equipment
New album: Excellent second LP, following 2018’s debut Endless Scroll, by the punchy Brooklyn post-punk band, packed with sharp lyrics, driving rhythms and riffs, with central theme of how we are defined and shaped by outside influences and perceptions, from city environment to advertising
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A Place To Bury Strangers - See Through You
New album: Electro noise rock, progressive gothic post-punk? Whatever the genre label, a striking blast of a new LP by the New York band fronted by Oliver Ackermann now with newer members frenetic drummer Sandra Fedowitz and thrumming bass from John Fedowitz
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Silverbacks’ second album Archive Material
New album: Superb second LP by the Dublin-based post-punk art-rock quintet, who with shades of Deerhoof, Gang Of Four, but particularly New Yorkers Strokes and LCD Soundsystem, sharply capturing the crazy, creeping disquiet of the world, especially over the past 18 months
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Pointed lyrics: Yard Act, featuring frontman James Smith
Debut album: Following various singles including Fixer Upper, a set of newer sharp, funny, talky, wordy and witty post-punk-funk debut LP by the Leeds quartet, filled with ironic observation about Britishness, echoing some delivery elements of the Fall and Sleaford Mods
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Elvis Costello’s classic sound on The Boy Named If
New album: Classic Costello, with a vigorous new LP that rolls back the years, recalling all the the sharp, fast, clever punk-pop of the late-70s, 80s and 90s albums with the Attractions, including old friends Steve Nieve on keyboards and Pete Thomas on drums
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Niffit’s debut album Fuse
Debut album: Fabulous crash-bang post-punk from the Japanese underground scene in this debut LP by the quartet from Nagoya with stop-start rhythms, sharp, gunslinging guitar riffs and witty, shouty vocals that unleash a ball of electric energy
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Favourite selection part 2.
Favourite albums of 2021 – Part 2: Welcome the second instalment, following Part 1, which can be found here. A huge number of excellent releases, of which again this is just a selection many of which were written during, and about lockdown, but also saw many outstanding voices emerge as well as innovative sounds developed
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Take your pick. Are your favourites here? Also check out Part 2 coming soon.
Favourite albums of 2021, part 1: Another difficult year for everyone, but from soul and jazz, electro-pop the experimental and avant-garde, an outstanding one for music releases, perhaps in part because out of diversity comes great art. Also feel free to explore Part 2, which is now available to view here.
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Deap Vally’s Lindsay Troy and Julie Edwards
New album: Full of feisty swagger, and rich, fuzzy guitar grit, the Los Angeles pair of Lindsay Troy and Julie Edwards return for a fourth album of rock-rich irony, fun, sweary sneering, sex-talk, anger and meaty riffs, and one of best yet
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IDLES return with their fourth album, CRAWLER
New album: ‘Are you ready for the storm'?’ There is much expected blood and thunder in the fourth LP by the Bristol band, but also an expanded range of sounds, feelings, painful, angry and tender moments in this viscerally brilliant new work themed around addiction
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Geese’s debut album Projector
New album: Dynamic and brilliantly experimental debut LP by the very promising young post-punk Brooklyn band brimming with intricate guitars, changes of pace, vaulting from the abstract to the intimate
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Sympathy For Life by Parquet Courts
New album: After 2018’s acclaimed LP Wide Awake!, the Brooklyn band return with a sharp collection of post-punk intermingled with dance music that mixes funk, electronica, psychedelia and krautrock with improvisational energy
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I Will Not … Behave Myself
New album: The Wirral’s Louisa Roach and co return after the acclaimed 2018 LP Revolution of Mind with stirring, feisty, rebellious songs that rally against injustice, celebrate society’s outsiders, filled with seething, articulate anger about everything from food banks to the patriarchy
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Gustaf’s debut album
New album: Caustic, witty, jagged post-punk by the Brooklyn band with this sharp debut marked by drawling dry delivery of talk-singer Lydia Gammill over driving, tight bass, guitar and drums
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Memory Device is Baba Ali’s debut album
New album: A catchily eclectic debut by the singer-songwriter drawing on his Nigerian heritage, his adolescence absorbing hip hop and new wave in New York, the techno scene in Berlin, and now disco, punk and electronica in his London base
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Sleater-Kinney’s surviving members Corin Tucker and Carrie Brownstein
Album review: This fine 10th studio album by Tucker and Brownstein was recored in Portland the summer of 2020 and rails against a backdrop of social unrest, devastating wildfires, and pandemic with a sound that has echoes of Steely Dan to Talking Heads and B-52s
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Black Midi’s Cavalcade album cover looks as it sounds
Album review: The British quartet’s second album after 2019’s Schlagenheim continues their boundary-pushing direction of frenetic, eclectic mix of the avant garde – jazz, funk, prog in a skilled delirium of wonderful compositions
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