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Redd Kross: Redd Kross
New album: The veteran pop-punk brothers Jeff and Steve McDonald from Hawkthorne, California, return with an energetic, lengthy self-titled release drawing on half a century of rock influences, from the Who to the Beatles, Byrds to US hardcore with vigour, but also self-deprecatory humour
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Kasabian: Happenings
New album: This eighth LP from the Leicester rockers and second since guitarist Serge Pizzorno took over on vocals from the sacked Tom Meighan edges closer to pop, disco as much as the more distinct psychedelia, but is full of punchy, catchy tunes
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Been Stellar: Scream From New York, NY
New album: A dynamic, stormy-guitar postpunk debut by the New York quintet in an LP filled with landmark references of that famous city, but also given a texture and edge under the production guidance of by London’s brilliant Dan Carey
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New album: After 2022’s acclaimed debut, Reeling, another searing, scorching LP by the Merseyside rock band fronted by Lia Metcalfe, once more dark and smoky, and produced this time in LA by John Congleton, yet with more confidence, range, and also vulnerability
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O.’s debut LP, WeirdOs
New album: A bold, high-octane experimental blast of viscous, growling, marvellous meaty textures and beats in this debut instrumental LP by the London-based duo of baritone saxophonist Joe Henwood and drummer Tash Keary, and produced by the ever innovative Dan Carey
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Walt Disco: The Warping
New album: After 2022’s Unlearning debut LP, the Glasgow band return with another fabulously stylish fusion of glam-pop and art-rock, channelling Scary Monsters-era Bowie and The Associates in a theatrical, energised album of glittering panache
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EELS TIME!
New album: Serial survivor Mark Oliver Everett returns with that familiar mix of droll, ironic but catchy, melancholy but upbeat numbers, on themes of love, the passage of time, as well as more extreme experiences – family trauma, and his recent open-heart surgery
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Liz Lawrence: Peanuts
New album: A classy, clever fourth LP for the British indie singer-songwriter, now signed to Chrysalis, with a tight, stripped back, thrumming sound, experimental at times, and packed also with excellent hybrid tracks spanning funk, pop, indie, folk and rock
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Bab L'Bluz: Swaken
New album: Out last month, a fabulous second LP by the French-Moroccan quartet who fuse traditional with psychedelia, blues and heavy rock with Africa's Maghreb: Gnawa, Amazigh, Hassani and Houara music
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Richard Thompson: Ship To Shore
New album: With strong narratives, melodies and fabulous fret work, the veteran singer-songwriter’s 18th solo album is up there with his best– traversing eras, styles and themes from his folk-rock 60s roots, to jazz, blues and country and flavours from Ireland, Scotland and beyond
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Peter Bibby: Drama King
New album: Witty, self-deprecatory, earthy, emotional and energetic, the Australian singer-songwriter’s superbly fun and sweary new LP of love, loss and addiction has echoes of Suicide and country-era Bob Dylan
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Richard Hawley: In This City They Call You Love
New album: The veteran Sheffield singer-songwriter returns his ninth solo LP, a touching, gentle love letter to his home city, referencing that South Yorkshire universal term of address, local characters and perspectives, with a set of heartwarming, heartfelt indie, blues, and Americana-style numbers
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Girl and Girl: Call A Doctor
New album: A vibrant, energetic, wittily candid, jangly indie-garage-rock release about life’s many undulations and problems, particularly mental health issues, by the Australian quartet led by Kai James in their debut LP by Sub Pop
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La Luz: News of the Universe
New album: A fourth studio LP of dreamy, exotic, alluring psychedelia and surf rock by the California quartet fronted by Shana Cleveland, simmering and potent, but made in the dark shadow of a breast cancer ordeal
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Paul Weller: 66
New album: This 17th solo album by the restless, ever-changing stylish mod-rock veteran is one of his mellower, more reflective releases, marking his age, a classic number, and year, distinctively depicted by Peter Blake on the cover art
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Lip Critic: Hex Dealer
New album: A dazzlingly high-octane, white-knuckle ride of a debut album by the New York-based electronica-punk-hip-hop-hardcore-noise-rock band, who push the musical boundaries with express vocal delivery and double drummers
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Big Special: Postindustrial Hometown Blues
New album: A witty, punchy, restless post-punk debut LP by the heavily accented Midlands duo of Joe Hicklin and Callum Maloney, with echoes of Sleaford Mods who they’ve supported on tour, packed with sharp jokes, wordplay and sweary anger about toxic masculinity and the absurdities of modern life
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Barry Adamson: Cut To Black
New album: The Manchester legendary singer and composer, bass player of Magazine, The Bad Seeds and other bands, returns with a stylish, swaggering, 60s-influenced 10th studio solo LP, including timeless Motown, seductive blues, and vividly noir cinematic hues
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The Lovely Eggs: Eggsistentialism
New album: Lancaster’s loveable DIY rockers Holly Ross and David Blackwell return with another punchy collection of comedy, simplicity, profundity and creativity, psych and punk, but also some old-school synth sounds and some complex emotions
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Arab Strap: I'm Totally Fine With It I Don't Give A Fuck Anymore
New album: Menacingly poetic, darkly humorous, searingly sordid and the sweetly sarcastic? It can only be the return of Scotland’s Aidan Moffat and Malcolm Middleton with another fabulously articulate assault on the self and society’s sadness and strangeness
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