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Khruangbin – unforgettable
Song of the Day: A delicious sounding, smoothly delivered new track fusing funk, soul dub, African, and psychedelia by the American musical trio from Houston, Texas, comprising Laura Lee on bass, Mark Speer on guitar, and Donald Ray "DJ" Johnson Jr on drums
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Dick Dale in the full 60s surf mode with the Del-Tones
Song of the Day: A tribute to the king of the surf guitar after his recent passing aged 81, hugely influential on Jimi Hendrix and other rock guitarists, the left-hander’s rock guitar style was shaped by his Lebanese background
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Davey Graham, originally spelled Davy
Song of the Day: After the ‘fuss and fight’ of the Paragons and later Massive Attack on Man Next Door, and reverse of perspective from the neighbour making the noise, in a powerful version by the great and underrated English folk guitarist and singer
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Alabama 3
Song of the Day: After Miss Otis Regrets, another songs about a women who decided to stop taking abuse from a man, this time by the band from Brixton whose song eventually became synonymous with the Sopranos
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New Year’s Eve fireworks with Tom Waits
Song of the Day: An annual theme from a perennial Song Bar favourite - Tom Waits’ and Kathleen Brennan’s gentle song captures some of the chaos, fireworks, fights, arguments and emotional turmoil as the year unstoppably turns
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A scene from the New York section of Night On Earth (1991)
Song of the Day: From Bernard Herrmann’s music from Taxi Driver, let’s catch a ride with another cab film, Jim Jarmusch’s 1991 five-vignettes plot, connected by a soundtrack by Tom Waits and Kathleen Brennan
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Otis Redding, 1941-1967
Song of the Day: After yesterday’s classic blues number best known for Lead Belly, another simmering jealousy classic from one of the great soul stars whose life was tragically cut short in a 1967 plane crash aged only 26
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Lead Belly
Song of the Day: Also known as In The Pines, and Black Girl, today we move onto another traditional song variously interpreted, dark and brooding, haunting in its melody, and simmering with suspicion and jealousy
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The Animals may have done the best-known cover version, but there are arguably others than better it
To some it’s a masterpiece, to others a dirge, but from 17th century England to 20th century New Orleans, with artists that include Woody Guthrie, Nina Simone, The Animals and alt-J it’s a song that keeps evolving
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Son House - in many ways the true daddy of the blues
Song of the Day: On the same day as we publish playlists of songs about authenticity, continuing in our blues thread, none can match that musical description more fully than the original or all origins who influenced all after him
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Bo Carter (1893-1964)
Song of the Day: The dirty blues historical exploration continues, with an emphasis on food innuendo, with the Mississippi singer also born Armenter Chatmon (1893-1964)
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Blind Boy Fuller
Song of the Day: After Lucille Bogan screaming with laughter at the dirtiest of lyrics, let's move on to only slightly more subtle material from the voice of the Piedmont blues singer from Wadsboro, North Carolina, who who also had a clever line in ragtime
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Taking 'dirty' blues to a whole new level: Lucille Bogan 1897-1948
Song of the Day: After Clara Smith, more so-called dirty blues from the 1920s, with a fabulously filthy number and also a then-taboo lesbian song from the singer born as Lucille Anderson, but had two performing names
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Clara Smith
Song of the Day: After yesterday's sprinkling of tragic and dirty songs by Bessie Smith, let's get a little filthier courtesy of the so-called Queen of the Moaners from South Carolina who actually had a chirpy, perky, high voice
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Bessie Smith, carrying more than weight on her famous shoulders
Song of the Day: After a series of early bluesmen, it's time to sprinkle some attention on the first true star of of the blues crossing into jazz, who not only mixed a little dirt into her powerful voice, but also into her lyrics
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Blind Willie McTell (1898-1959)
Song of the Day: Today's deep-south exploration goes to the Piedmont blues style of the man born in Thomson, Georgia, whose ragtime-like picking style and voice is so clearly a huge influence on Bob Dylan, Jack White and Led Zeppelin's Jimmy Page and Robert Plant
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Mississippi John Hurt (1992-1966)
Song of the Day: Pictured with Skip James on yesterday's Skip James post, his friend and contemporary Hurt was a blues country singer-songwriter known for his distinctively intricate fingerpicking style
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Skip James (1902 - 1969)
Song of the Day: Following Rev. Gary Davis, let's turn to the Delta bluesman from Bentonia, Mississippi, who was not only influential in his playing, but had a distinctive, almost ghostly voice that captures the fearful fragility of this Depression-era song
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Reverend Gary Davis (1896-1972)
Song of the Day: Moving from Blind Willie Johnson and his bottleneck guitar style, the finger-picking pioneer from Laurens, South Carolina who does a classic and clever talking version of this traditional number
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Blind Willie Johnson (1897-1945)
Song of the Day: Following Solomon Burke and The Blind Boys of Alabama, let's take it way back to the great blues and gospel singer and bottleneck guitarist who was raised in Marlin, Texas
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