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Paul Molloy: The Madmen of Apocalypso
New album: Fabulously perky, catchy, snappy, witty, doomsday gallows humour songs in this second solo release by The Coral guitarist, drawing on styles from ragtime, New Orleans dixieland jazz, vaudeville, Kinks-style 60s baroque pop and more
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DEADLETTER's debut LP, Hysterical Strength
New album: Following 2022’s breakthrough EP, Heat!, the Yorkshire-formed, London-based post-punk band’s debut LP is packed with strong melodies, a broader range of sounds with an extended sound, and charismatic frontman Zac Lawrence’s punchy, sharp delivery has dark, foreboding overtones about a dysfunctional Britain
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Nilüfer Yanya: My Method Actor
New album: Classy, effortlessly cool, experimental indie-folk-pop in this third LP the London singer-songwriter, again joined by producer and co-writer Wilma Archer in an album about identity, relationships and self-control
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Fat Dog: WOOF.
New album: Having gathered a lively cult following on tour, the canine-themed London-based band’s LP is an eclectic, theatrical techno, industrial-pop post-punk fusion, with klezmer strains, synth- and horn-parping, panache-filled dancey debut of wit, energy, noise and sheer shouty fun
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Yannis & The Yaw: Lagos Paris London
New album: An EP rather than LP, this project by the Foals frontman Yannis Philippakis is still a high five of top-quality Afrobeat, crossover funk and rock rhythms and riffs, drawing from sessions with the late great drummer Tony Allen
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Spirit of the Beehive: You'll Have To Lose Something
New album: Pennsylvania’s and Portugal’s Zack Schwartz, Corey Wichlin, and Rivka Ravede return with another bewildering collection of abstract, feverish dream weirdest deconstructionist experimental rock, with a collection of 12 songs that at times feel more like a hundred
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Los Bitchos: Talkie Talkie
New album: After 2022’s Let The Festivities Begin!, the London-based international female four-piece return with a vibrant second uniquely stylish set of surf, psychedelic and exotic instrumentals that infectiously traverse many genres
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The Bug Club: On the Intricate Inner Workings of the System
New album: A highbrow title heralds mischievously delightful collection of extremely catchy but deliberately silly songs filled with trivial observations in this third indie garage fuzz pop-rock LP by the Welsh trio fronted by Sam Willmett (vocals/guitar) and Tilly Harris (vocals/bass)
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Nick Cave & the Bad Seeds: Wild God
New album: The 18th studio LP by the messianic Australian and band, first since 2019’s Ghosteen, is perhaps the best for some time – grandiose, passionate, powerful, using deity, religion, myth and narrative, and despite all the tragedy and loss in Cave’s family, somehow flows with rapturous hope
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Illuminati Hotties: Power
New album: Filled with thoughtful, tuneful, breezy, and cleverly crafted numbers, this is the third LP of indie pop project of LA producer Sarah Tudzin (known for boygenius and Weyes Blood) and is also co-produced with John Congleton
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Fontaines D.C.: Romance
New album: With a new look, the popular Dublin post-punk band return with their fourth LP, one with a much broadened scope of sounds, poetic but also at times cinematic in musical image and in lyric, with big-time producer James Ford at the controls
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Quivers: Oyster Cuts
New album: After 2021’s Golden Doubt, the shared-singing, indie-guitar jangly-pop quartet from Melbourne’s LP is a sensitive but cynical, beautiful but painful finding-love-after-grief LP displaying musical influences such as Galaxie 500 and The Pretenders
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Brigitte Calls Me Baby: The Future Is Our Way Out
New album: Summoning musical echoes and powerful, soaring vocals reminiscent of The Smiths and Vauxhall-era Morrissey and dash of rockabilly, Richard Hawley, Elvis Presley and Roy Orbison, an impressive debut from the Chicago-based rock band fronted by vocalist – the be-quiffed Wes Leavins
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Pom Poko: Champion
New album: Vibrant, joyful, frenzied musicianship simply flies out of this third LP by of Norwegian indie quartet whose style has some parallels with the prog-postpunk of Deerhoof, but with their own eccentric twists
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Dark and revealing: Hamish Hawk's A Firmer Hand
New album: The dapper Edinburgh indie-pop troubadour returns with his ready wit, polished lyrics and soaring, strong melodies of finely detailed, candid, revealing reference-rich narrative, but also oozing with darkness, irony, empathy and double-edged melancholy
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beabadoobee: This Is How Tomorrow Moves
New album: Delicately voiced, thoughtful, perceptive indie pop by the Filipino-born English singer-songwriter aka Beatrice Laus, in a third album also co-produced by Rick Rubin, it grows as it progresses, showing depth and quality of balladeer 90s-influenced songwriting
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Wand: Vertigo
New album: Magic is waved indeed in this experimental psychedelic rock by the now Los Angeles quartet of Cory Hanson, Evan Burrows, Robert Cody and Evan Backer with great ghostly echoes of a British flavour, particularly Radiohead and Verve
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Crack Cloud: Red Mile
New album: Sharp, witty satire and parody abound in this third LP by the Canadian indie-garage-rock collective, playing with cliches across pop to rock with a striking set of clever, aggressively tuneful, curveball songs led by frontman and Zach Choy
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Cassandra Jenkins: My Light, My Destroyer
New album: A strong, sensual, astronomy-themed third experimental album by the New York singer-songwriter, mixing gentle indie, dream pop, jazz and field recordings in this alluring contemplation on the heartbreaks and highs, the quarks and quasars that make up her universe
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Lava La Rue’s Starface
New album: A brilliantly clever, rich, eclectic concept album and debut LP by the West London multi-media artist, fusing indie-pop, funk, hip-hop and glam rock, and themed around the character of a gender neutral alien who visits Earth to explore its self-destructivity only to get mixed up in it
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