New album: The Brighton sextet return with their sixth LP and their distinctive brand of joyous sound clash, syncopated big drums, female singing and rapping, flutes, glockenspiels, steel drums and the full kitchen sink
Read moreSnapped Ankles: Forest Of Your Problems
New album: An excellent third LP by the east London be-leafed electro-krautrock-dance-pop band bursts with vigour and ideas, themed and fuelled by a troubled world coming out of lockdown in this folllow-up to their last, Stunning Luxury
Read moreJohn Grant: Boy From Michigan
New album: The American’s newest LP is his most autobiographical to date, filled with trademark electronica sounds, but an overall mellower sound than previous, smoothly produced by Cate Le Bon, coloured by childhood recollections
Read moreLoneLady: Former Things
New album: A wonderful new LP by Manchester electro-pop artist Julie Campbell, created in the 18th-century Somerset House shooting range studios, with sparkling numbers that perfectly combine influences from Cabaret Voltaire to Neneh Cherry
Read moreGarbage: No Gods No Monsters
New album: Shirley Manson and co return with their seventh, a double LP filled with banging cyber-punk anger, dark, seething, atmosphere, politics and personal battles. It’s one of their best since the 90s and stylistically includes echoes of Roxy Music, Depeche Mode, New Order and The Human League
Read moreDean Blunt: Black Metal 2
New album: This follow-up to the 2014 album by the East Londoner frontman of the mischievous alt-pop duo Hype Williams (named after the video director) is a bizarre, offbeat collection of 10 short songs mixing droll, deep-voiced delivery with a range of almost cinematic instrumentation
Read moreCola Boyy: Prosthetic Boombox
New album: Uplifting and also poignant 70s style disco-funk-soul debut by the Californian artist who is disabled by spina bifida and scoliosis since birth, but shakes his tail feathers with style, panache, very much like “a time-travelling Delorean with Prince in the passenger seat”
Read moreFrancis Lung: Miracle
New album: A splendid new LP by the Manchester singer-songwriter packed with strong pop, variously with echoes of Elliott Smith in vocal delivery and the Beatles or Jeff Tweedy in classic melody and structure, and wry, humorous lyrics
Read moreJoan Armatrading: Consequences
New album: Now 70, her voice is as strong as ever, and this 20th studio album in a five-decade career is filled with strong songwriting, more in the style of her 80s pop than 70s folk, but with impressive moments of emotional power
Read moreKings of Convenience: Peace or Love
New album: The Norwegian duo of Eirik Glambek Bøe and Erlend Øye return with their first LP since 2009, and fourth in 20 years with a collection of beautiful indie acoustic guitar-based folk, perfectly blended voices and barely drumbeat to be heard
Read moreSleater-Kinney: Path of Wellness
Album review: This fine 10th studio album by Tucker and Brownstein was recored in Portland the summer of 2020 and rails against a backdrop of social unrest, devastating wildfires, and pandemic with a sound that has echoes of Steely Dan to Talking Heads and B-52s
Read moreWolf Alice: Blue Weekend
Album review: Grasping mainstream pop and rock with cleverly constructed styles and influences, a shrewd, highly polished new LP from the London indie band 2018 Mercury prize winners, jumps from soft, whispery piano ballads to big guitar bangers
Read moreJapanese Breakfast: Jubilee
Song of the Day: This third album by the American alt-pop singer-songwriter Michelle Zauner is full of tasty textures and ethereal melodies, inspired by the likes of Bjork, with songs, as she says “about recalling the optimism of youth and applying it to adulthood”
Read moreJorja Smith: Be Right Back
Album review: It’s about the voice. A classy, silky smooth minimalist new mini-album of eight songs heralds the return of the 23-year-old soul and R&B singer-songwriter from Walsall, following up from her acclaimed 2018 album Lost & Found
Read moreLord Huron: Long Lost
Album review: Serene, dreamy, beautifully melodic alt-country-folk by the Michigan-bred, LA-based group, their fourth and perhaps best yet album is awash with road imagery, rich cinematic inserts and classic retro guitar sounds
Read moreCHAI: WINK
Album review: Cheeky, squeaky and quirky pop from the Japanese quartet of Mana, Kana, Yuuki, and Yuna from following their previous LPs Punk and Pink which were much more, punk, Wink has a theme of feeling uninhibited and free
Read moreGary Numan: Intruder
Album review: With his trademark sci-fi dystopian sound, the electro-pop veteran, who has rekindled his career of late, returns with doom-laden concept album about climate change seen from the point of view of Earth itself
Read moreOlivia Rodrigo: Sour
Album review: Brimful with anger, jealousy, and melancholy, an impressive debut LP by the 18-year-old American actress and singer-songwriter is startlingly mature, fuelled by a heartbreak, and mixes punk rage with power-ballad slow-boil spite
Read moreBillie Marten: Flora Fauna
Album review: We’ve previously highlighted her single, Garden of Eden, and the singer-songwriter from Ripon in Yorkshire’s third LP of folk-pop lives up it with its hushed, intimate vocals and an understated maturity that echoes Fiona Apple and Billie Eilish
Read moreGruff Rhys: Seeking New Gods
Album review: This seventh solo album by the Super Furry Animals frontman set out as conceptual biography of East Asian active mountain volcano Mount Paektu, but this piano-led set of songs with a 70s psych-pop grandeur also has personal elements, and is produced by Beastie Boys producer Mario C
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