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Marta Del Grandi’s debut album Until We Fossilize
New album: This delicate, beautiful debut by the Italian singer from Milan with a jazz background infuses her songs with folk and classical and eastern elements in an LP inspired by the Greek myth of Amethyst who defies the patriarchy
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Talk Memory by BADBADNOTGOOD
New album: Mind-bending, mesmeric and complex but also accessible sixth album of jazz and prog by the band from Toronto, much via improvisation but also with a collaboration by legendary Brazilian composer Arthur Verocai
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Kit Sebastian’s second album – Melodi
New album: A magical, mesmeric second album by the London-based French and Turkish pair of Kit Martin and Merve Erdem is a unique fusion of vocals, jazz, funk, psych, featuring zithers, harpsichords, congas, bongos, bulbul tarang, balalaikas, organs, and saxophone
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New album: A smooth, sophisticated silky and intimate fourth LP by the New Zealand-Australian multi-instrumentalist, high-voiced singer, producer, and songwriter that gradually moves from a soul and R&B to increasingly ethereal and experimental
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Lady Blackbird’s debut album
New album: Exquisite, slow, elegant jazz and soul in this beautiful debut by singer Marley Munroe, who has smoky power and control reminiscent of Nina Simone, in an 11-track album including seven covers, including, upright bass and Miles Davis’s pianist Deron Johnson
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Little Simz returns with her fabulous fourth album
New album: London’s Simbiatu Ajikawo returns with her fourth album, a triumph of intelligent, tough-attitude socio-political lyrics and charisma, backed with epic orchestral soundtrack with old friend and longtime producer Inflo Sault), hopefully to propel her into world stardom
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Bendik Giske
New album: An extraordinary second album by the classically trained Norwegian saxophonist, who undermines the instrument’s showy jazz cliches by employing contact microphones around his tenor to amplify noisy fingers clicking against the keys and keypads for a new world of sound
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Ishmael Ensemble
New album: Excellent, evocatively fluid follow-up to 2019’s A State of Flow by the Bristol band of Pete Cunningham and co whose mix of harp, saxophone, upright bass, vocals, percussion and more create a mesmeric mix of electronica, folk and jazz
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Leon Bridges: Gold-Diggers Sound
New album: Delicate soul mixed with R&B, Afrobeat, late-night jazz and even a dash of country come in this third LP by the 32-year-old singer, songwriter and record producer, filled with heartbreak and hope stemming from events of the past year
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L’Rain’s second album - Fatigue
New album: This second album by the Brooklyn-born multi-instrumentalist and singer Taja Cheek is an entrancing mix of keyboards, synths, and haunting vocals, a woozily wonderful and unique style of dream-like delicacy
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The third album by Hiatus Kaiyote
New album: This wonderful third album by the Melbourne band is a free-flowing beauty - like a butterfly garden of jazz, soul as well as Brazilian influences from time spent with veteran composer Arthur Verocai and Amazonian indigenous Varinawa communities
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Ìxtahuele: Eden Ahbez's Dharmaland
Album review: Serene, strange, magical a wonderful collection performed by the Swedish experimental band of newly discovered sheet music of instrumentals and songs by the composer best known for Nature Boy, written for Nat King Cole
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Greentea Peng’s debut LP Man Made
Album review: The debut album by the south Londoner is has woozy, easy, hazy, lazy summer feel, a mix of languid hip hop, reggae, jazz, and soul with a dash of dub, a dribble of drum’n’bass and even psych with a hippie sprinkle
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Black Midi’s Cavalcade album cover looks as it sounds
Album review: The British quartet’s second album after 2019’s Schlagenheim continues their boundary-pushing direction of frenetic, eclectic mix of the avant garde – jazz, funk, prog in a skilled delirium of wonderful compositions
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Sons of Kemet: Black to the Future
Album review: A wonderful return by the pioneering UK-based jazz quartet after 2018’s acclaimed Your Queen is a Reptile, here with fuller compositions and arrangements, and featured vocalists including Kojey Radical, Moor Mother, Angel Bat Dawid, Joshua Idehen and D Double E
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Sophia Kennedy’s Monsters - impossible to control or define
Album review: An unholy, beguiling and at times mischievously brilliant mixture of pop, Tin Pan Alley, vintage showtunes, hip hop, abstract electronica and horror film culture, the Baltimore-born, Hamburg-bred artist is just as impossible to define as to not enjoy
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More of Tony Allen’s work posthumously in collaboration with guest artists
Album review: Entertainingly diverse posthumous album bringing together recordings by the great drummer and Afrobeat pioneer with Femi Kuti, here matched here with guests from soul to hip hop, including Sampa The Great, Skepta, Damon Albarn, and Lava La Rue
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Alfa Mist’s third album, Bring Backs
Album review: A mellifluous weave of jazz, soul, poetry hip hop by the east London rapper, producer and instrumentalist aka Alfa Sekitoleko with a nod to his various musical influences, especially the capital's vibrant jazz scene
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Caoilfhionn Rose
Album review: Sounding like a sunlit landscape of whispering grasslands, this beautiful mix of folk, jazz, ambient electronica and gentle psychedelia comes with the pure, soft, soaring voice of the Manchester singer-songwriter
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Matthew E. White and Lonnie Holley
Album review: This first collaborative release between the Virginia songwriter, producer, and founder of Spacebomb Records and the Alabama sculptor is an experimental fusion of jazz, funk, electronica and exclamatory spoken-word observation
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