Album review: Moving, passionate, angry, grief-stricken and tender, this mix of beats, samples and striking spoken word lyrics by the Dublin performer and producer David Balfe is a powerful tribute to a lost friend
Read moreBlack Honey: Written and Directed
Album review: Refreshing, energetic, upbeat big-chorus fuzzbox indie-pop by the four-piece from Brighton with echoes of big-sound styles ranging from Primal Scream to Girls Aloud to Garbage to Sigue Sigue Sputnik
Read moreNick Cave and Warren Ellis: Carnage
Album review: "A brutal but very beautiful record nested in a communal catastrophe” is how Nick Cave describes this Covid-19 lockdown-inspired release with his longtime Bad Seed collaborator, and so it is
Read moreRats on Rafts: Excerpts From Chapter 3: The Mind Runs a Net of Rabbit Paths
Album review: This third album by the alternative post-punk band from Rotterdam is a conceptual journey into the id punctuated with rhythmic kabuki modal mood swings, thunderstorms, digital beeps, traffic noise echoing The Fall and Snapped Ankles
Read moreMush: Lines Redacted
Album review: The second album by the Leeds-based band extends their distinctive, sonically idiosyncratic style of excellent angular art-rock with mind-bendingly alternative guitar riffs and scales, sharp lyrics and the oddly likeable nasal delivery of songwriter Dan Hyndman
Read moreTV Priest: Uppers
Album review: Thunderously angry, caustically witty, burnished with ripping guitar and bass riffs, frenetic rhythm and the imposing vocals of British Charles Bronson-lookalike Charlie Drinkwater, this post-punk band’s debut echoes IDLES and The Fall
Read moreAlbertine Sarges: The Sticky Fingers – album review
Album review: Liberating, refreshing, eccentric, with a playfully light touch and flourishes of flute and feminist theory garnish this solo debut by the singer who works with Holly Herndon singer and is half of Italian synth new wave duo Itaca
Read moreGoat Girl: On All Fours – album review
Album review: The south London quartet’s second album has is double-edged woozily beguiling in music and caustic in lyrics, a mixture of shoegaze, postpunk, and electronica with a distinctive sound produced by the groundbreaking Dan Carey
Read morePalberta: Palberta5000 – album review
Album review: A new album of abstract indie charm by the New York trio, at times chugging and spluttering in DIY arrhythmic style like some battered old Citroën 2CV, it also has a sweet sounding shambolic quality that grows on you
Read moreKiwi Jr.: Cooler Returns – new album
New album: Clever, wry, satirical, topical, inventive upbeat indie by the Toronto quartet with their second album following Soccer Money, who have echoes of Pavement and The Modern Lovers, but with added vim and vigour, keyboards and harmonica
Read morePom Poko: Cheater – album review
Album review: The postpunk Indie quartet from Norway return with their second LP after 2019’s Birthday with more wonderfully energetic work in this short, sharp selection of 10 three-minute songs
Read moreShame: Drunk Tank Pink – album review
Album review: The south London band return with a strong and developed sound from 2018’s Songs Of Praise, with a greater range of postpunk styles in their armoury, and also echoing other bands such as IDLES, Squid and Art Brut
Read moreSleaford Mods: Spare Ribs – album review
Album review: Jason Williamson and Andrew Fearn return with their latest album recorded last July in lockdown, and as ever its filled with topical hard-hitting humour and brilliant bass and beats backing tracks by Fearn
Read moreLice – Wasteland: What Ails Our People Is Clear – album review
Album review: Experimental, clattering, clanging, sawing, banging, challenging but very rewarding, this is a very alternative, ambitious but brilliant full debut album from the Bristol postpunk band
Read moreViagra Boys: Welfare Jazz – album review
New album: The follow-up to debut album Street Worms, the Swedish post-punk mischief makers fronted by Sebastian Murphy return with their brand of satirically twisted dark humour and stop-start energy
Read moreAgnes Obel to Bob Dylan, Phoebe Bridgers to Sault: favourite albums of 2020 – Part 2
Albums of 2020 roundup: Out of crisis comes great art. A year of lockdowns, no gigs, alternative sounds, experimentation and surprises. This is the second half of our roundup of favourite albums of 2020. Part 1 was here
Read moreFiona Apple to Lianne La Havas to Yves Tumor: favourite albums of 2020 – Part 1
Albums of 2020 roundup: A year of lockdowns, alternative sounds, experimentation and surprises. This is the first half two roundups of a total over 50 favourite albums of the year that musicians stayed at home. And here’s Part 2.
Read moreAlbum reviews roundup: Chilly Gonzales, Mark Lanegan, Drive-By Truckers, Marie Davidson, Kacy & Clayton & Marlon Williams, Beethoven, Oh! Gunquit, Puppini Sisters, Dylan Henner
Album reviews roundup: A selection of contrasts – some dark, 2020-slanted Christmas other recent seasonal releases and other recents and earlier releases, from Chilly Gonzales to Mark Lanegan and a Beethoven anniversary piece
Read moreAlbum reviews roundup: Paul McCartney, Taylor Swift, The Avalanches, Nas, Sigur Rós, Caro, Alex Maas, M. Ward, Flohio
Album reviews roundup: From the former Beatle to a country/pop mainstream artist, 2020’s running theme seems inspire isolation, survival, DIY and experimentation. But as this selection shows, there are also many new, innovative artists out there
Read moreAlbum reviews roundup: Smashing Pumpkins, King Gizzard & The Lizard Wizard, Jack Cheshire, Daniel Avery, Ane Brun, The Wytches, Heather Trost, Brandee Younger and Dezron Douglas, Matthew Halsall
Album reviews roundup: Psychedelia, jazz, prog and electronica dominate this week, including a synth album by the Smashing Pumpkins, eastern flavours by King Gizzard, exquisite Norwegian vocals by Ane Grun and a superb debut by Jack Cheshire
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