Album review: The Atlanta indie-rockers’ latest LP is has an even more expansive, full-bodied sound of vocal harmonies led by frontman Andy Hull that echo Fleet Foxes with strong songwriting, psychedelic parts and a sense of epic scale that would fill large venues or festivals
Read moreGojira: Fortitude
Album review: Metal may not be to everyone’s taste, but there’s no denying the songwriting and musicianship of this seventh album by the French quartet which is a powerful, engaging and stormy cri de coeur about climate change
Read moreArt D'Ecco: In Standard Definition
Album review: A stylish and charismatic glam-rock electro-funk-disco pop second album, echoing everything from early 70s Bowie or Bolan’s T-Rex to 80s synth New Romantics, by the wonderful Canadian androgynous singer
Read moreDinosaur Jr: Sweep It Into Space
Album review: Packed with tender lo-fi to full-on rock numbers, the distinctive voice and playing of J Mascis joined Lou Barlow’s bass and Murph on drum, rolls out in the form of a very fine new LP, their first together for five years
Read moreField Music: Flat White Moon
Album review: The eighth LP from Sunderland brothers Peter and David Brewis brings together a wealth influences and accessibility, cleverly marrying pop, funk and postpunk with echoes of the Beatles, XTC and Todd Rundgren
Read moreGreta Van Fleet: The Battle At Garden's Gate
Album review: This second LP by the quartet from Michigan will again raise Led Zeppelin comparisons, but the derivative 70s rock influence on the Kiszka brothers and drummer Danny Wagner also has vocal echoes of Rush, and especially Slade
Read moreSilver Synthetic: Silver Synthetic
Album review: This debut album by the New Orleans indie psych rock band is full of bluesy, catchy, snappy tunes and wistful lyrics, shades of 1970s Kinks, Richard Lloyd, Tom Verlaine, Ultimate Painting, Velvet Underground and Teenage Fanclub
Read moreDu Blonde: Homecoming
Album review: Beth Jeans Houghton returns, now under her label, continuing her more recent stripped back formula of great songwriting wrapped in fuzzbox guitar glam rock, this time with guests including Shirley Manson, Ezra Furman, and of Andy Bell of Ride
Read moreBlack Honey: Written and Directed
Album review: Refreshing, energetic, upbeat big-chorus fuzzbox indie-pop by the four-piece from Brighton with echoes of big-sound styles ranging from Primal Scream to Girls Aloud to Garbage to Sigue Sigue Sputnik
Read moreSunburned Hand Of The Man: Pick A Day To Die
Album review: An eclectic and fascinating album of newly edited tracks by the prolific Boston Massachusetts collective, covering everything from gentle acoustic to thrash metal, indie, psych, electronica, krautrock and everything in between
Read moreIsrael Nash: Topaz
Album review: The Texas singer-songwriter’s latest LP indeed is a gem – infused with slow country, prog rock, southern gospel-soul, the folk and ‘70s psych-rock, with more than a dash of Neil Young, slide guitar and geographical reference
Read moreWilliam The Conqueror: Maverick Thinker
Album review: The third album by the trio fronted by the Edinburgh-born singer-songwriter Ruarri Joseph is clever, catchy, bluesy, rocking and wry, filled with wistful lines, dry wit and great riffs
Read moreNick Cave and Warren Ellis: Carnage
Album review: "A brutal but very beautiful record nested in a communal catastrophe” is how Nick Cave describes this Covid-19 lockdown-inspired release with his longtime Bad Seed collaborator, and so it is
Read moreThe Hold Steady: Open Door Policy
Album review: Brooklyn’s natural lovechild band of Bruce Springsteen and Randy Newman return with their eighth studio album, full of polished, clever lyrics and energy, and if not quite up to 2008’s Stay Positive, deliver everything a fan would hope for
Read moreMogwai: As The Love Continues
Album review: The Glasgow band’s 10th album in a 25-year career is full of their usual dynamic contrasts and soaring cinematic, experimental passages, but strip back to older styles on which they build newer sounds
Read moreMush: Lines Redacted
Album review: The second album by the Leeds-based band extends their distinctive, sonically idiosyncratic style of excellent angular art-rock with mind-bendingly alternative guitar riffs and scales, sharp lyrics and the oddly likeable nasal delivery of songwriter Dan Hyndman
Read moreSkyWay Man: The World Only Ends When You Die – album review
Album review: The second full-length project from American rock/cosmic country/psychedelic folk singer, songwriter and producer James Wallace is a catchy, but very easy listen oddball odyssey, a cinematic psych folk opera
Read moreAgnes Obel to Bob Dylan, Phoebe Bridgers to Sault: favourite albums of 2020 – Part 2
Albums of 2020 roundup: Out of crisis comes great art. A year of lockdowns, no gigs, alternative sounds, experimentation and surprises. This is the second half of our roundup of favourite albums of 2020. Part 1 was here
Read moreFiona Apple to Lianne La Havas to Yves Tumor: favourite albums of 2020 – Part 1
Albums of 2020 roundup: A year of lockdowns, alternative sounds, experimentation and surprises. This is the first half two roundups of a total over 50 favourite albums of the year that musicians stayed at home. And here’s Part 2.
Read moreAlbum reviews roundup: Chilly Gonzales, Mark Lanegan, Drive-By Truckers, Marie Davidson, Kacy & Clayton & Marlon Williams, Beethoven, Oh! Gunquit, Puppini Sisters, Dylan Henner
Album reviews roundup: A selection of contrasts – some dark, 2020-slanted Christmas other recent seasonal releases and other recents and earlier releases, from Chilly Gonzales to Mark Lanegan and a Beethoven anniversary piece
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