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A Certain Ratio: 1982
New album: The Manchester post-punk veterans Jez Kerr, Martin Moscrop and Donald Johnson, return with a sparklingly eclectic record of electronica, dance, jazz, funk, Afrobeat and more with a retrospective feel on their history
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Yves Tumor’s latest album: Praise A Lord Who Chews …
New album: A mouthful of a title but another striking, genre-spanning fifth LP by the unique Knoxville-raised Sean Bowie, whose extraordinary non-gender presence adorns this mix of thrumming postpunk, indie R&B, trip-hop, funk, glam, sensual soul and psychedelia
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Sleaford Mods - UK Grim
New album: Nottingham’s Jason Williamson and Andrew Fearn return with another set of, angry, catchy, darkly humorous belters, pulling no punches when it comes to the shambolic state of Tory-led Brexit Britain
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As in the tattoo: slowthai’s third LP UGLY
New album: The abrasive but exciting Northampton rapper Tyrone Frampton’s third LP is a powerful, heady concoction, containing this time less grime and politics, more punk and post-punk, rock guitars, and focusing on personal issues, with a paradoxical facial tattooed title acronym meaning U Gotta Love Yourself
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Shame’s third album, Food For Worms
New album: With a title phrase that will apply to all living beings eventually, this third LP by the south London post-punk band tempers the punk anger with more light and shade, genre experimentation, and philosophical lyrics
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Tombouctou: Tricky Floors
New album: Clever, sharp post-punk debut by the French trio from Lyon/Toulouse packed with dynamic, thunderous drumming and razor-sharp guitar work, energised stop-start sections, and the powerful, high voice of Cocrelle who has echoes of Siouxsie Sioux
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Paramore: This Is Why
New album: The Tennessee rock band fronted by Hayley Williams return with their sixth album, a more angular guitar affair influenced by Bloc Party and Foals, marrying post-punk with edgy, angry restless indie pop
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M(h)aol: Attachment Styles
Debut album: They’ve been pacing around with singles for several years, but this debut by the Dublin post-punks (pronounced male) is powerful, funny, dark, feminist, funny and dirty, filled with fabulous thumps, bangs, crashes, guitar clangs and killer lyrics
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Perfect texture blend: Graham Coxon and Rose Elinor Dougall
New album: Fantastically original, eclectic and melodious eponymous debut by the duo of Blur’s Graham Coxon, and ex-Pipettes’ Rose Elinor Dougall, packed with an indefinable mix of indie pop, folk, post-punk and much more in a free-flowing tapestry of sounds and textures
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The Murder Capital’s second album Gigi's Recovery
New album: Passionate, visceral and powerful, the new Dublin band’s follow-up to 2019’s When I Have Fears builds on their promise, aswirl with stark emotion, packed with strong perspectives and carefully hewn sounds in a journey of introspection, self-analysis and defiance
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Billy Nomates’s second album Cacti
New album: A very strong second album by Bristol’s Tor Maries moves from her alt-punk debut to a darker, ironic, caustic anti-love set of songs bringing in more rock and pop styles
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The Nightingales: The Last Laugh
New album: The very best ‘til last for 2022? Quite possibly, with this absolute belter from Robert Lloyd, Fliss Kitson and co, this October release packed with superbly Beefheart-esque, stompy, infinite wit, riff and rhythm change
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Vivid, droll absurdity: The Cool Greenhouse second album, Sod’s Toastie
New album: An excellent second LP by the wittily droll wordsmith Tom Greenhouse and band, bringing oodles of hilarious, oddball short stories and killer lines about the absurdity of life, backed by strangely wonderful post-punk and electronica
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Big Joanie’s new album Back Home
New album: The London trio of vocalist and guitarist Stephanie Phillips, bassist Estella Adeyeri, and drummer Chardine Taylor-Stone return with an electronic extension to their catchy DIY post-punk with an LP based around the theme of different forms of home
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Special Interest’s third album, Endure
New album: A third LP of unstoppably energetic fierce, camp, queer, intelligent glam and post-punk by the New Orleans band fronted by Alli Logout following 2018’s Spiralling and 2020’s The Passion Of, a hot potent cauldron of art, sex, drugs and politics
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Horse Lords: Comradely Objects
New album: Mesmeric fifth album by the Baltimore-formed quartet of polyrhythmic avant-garde rock, jazz, prog, also drawing on Appalachian, bluegrass, krautrock, African, post-punk and alternative tuning systems that pull you into their brilliant and beguiling world
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Perfect marriage of the banal and the inspiring: Stumpwork by Dry Cleaning
New album: The London post-punk band continue where they left off from last year’s debut, New Long Leg, with Florence Shaw’s beguiling, droll, laconic, surreal, stream-of-consciousness, darkly humorous spoken delivery over clever, off-kilter music.
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Gilla Band’s (former Girl Band) ironically titled extraordinary new album
New album: Groundbreaking, and at times ear-splitting noise experimentation by the Dublin band formerly known as Girl Band with a new album with a deeply ironic title and work that truly challenges the senses via a post-punk, distorted guitar and electronic platform
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Sorry’s second LP
New album: This second LP by the London indie band is again inventively inspired by city life, but feels edgier, more melancholy and mercurial, dotted with great melodies, but also lyrics from snatched speech, texts, capturing fragmented thoughts of an underground, young, seething, frustrated, isolated generation
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Mamalarky’s full debut LP Pocket Fantasy
New album: Their recent single Shining Armor was recently a Song of The Day, but the new LP by the Atlanta and LA indie band is rich in inventive, playful, post-punk, psych-rock and shoegaze, with parallels at times to the excellent Deerhoof
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