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Horse Lords: Comradely Objects
New album: Mesmeric fifth album by the Baltimore-formed quartet of polyrhythmic avant-garde rock, jazz, prog, also drawing on Appalachian, bluegrass, krautrock, African, post-punk and alternative tuning systems that pull you into their brilliant and beguiling world
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Perfect marriage of the banal and the inspiring: Stumpwork by Dry Cleaning
New album: The London post-punk band continue where they left off from last year’s debut, New Long Leg, with Florence Shaw’s beguiling, droll, laconic, surreal, stream-of-consciousness, darkly humorous spoken delivery over clever, off-kilter music.
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Gilla Band’s (former Girl Band) ironically titled extraordinary new album
New album: Groundbreaking, and at times ear-splitting noise experimentation by the Dublin band formerly known as Girl Band with a new album with a deeply ironic title and work that truly challenges the senses via a post-punk, distorted guitar and electronic platform
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Sorry’s second LP
New album: This second LP by the London indie band is again inventively inspired by city life, but feels edgier, more melancholy and mercurial, dotted with great melodies, but also lyrics from snatched speech, texts, capturing fragmented thoughts of an underground, young, seething, frustrated, isolated generation
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Mamalarky’s full debut LP Pocket Fantasy
New album: Their recent single Shining Armor was recently a Song of The Day, but the new LP by the Atlanta and LA indie band is rich in inventive, playful, post-punk, psych-rock and shoegaze, with parallels at times to the excellent Deerhoof
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Pixies’s eighth album
New album: Meaty, strong new LP by the legendary Black Francis and co, a mischievous, punchy ode to absurdism, with a sound that harks to earlier material than the more polished more recent LPs, with some tracks sitting more in line with their classic 1987-91 era
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Courting: Guitar Music
New album: Short, snappy, sharp and caustically ironic, the Liverpool indie post-punk band’s 30-minute, eight-track LP follows their excellent 2021 EP Grand National with biting lyrics, catchy melodies and ferocious energy
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Crack Cloud: Tough Baby
New album: Eclectic, original, energised and experimental, this is an enthralling third post-punk, pop, rock and thunderous concoction release by the Vancouver collective led by drummer and lead vocalist Zach Choy filled with the passionate and oddball
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The Lounge Society: Tired of Liberty
Debut album: Restless sparking, energy, seething anger and ironic lyrics, intricate, swirling, interwoven guitars, bass and drums, and produced by Dan Carey on the ever vibrant Speedy Wunderground label, this full debut LP by young Hebden Bridge band is more than a breath of fresh indie
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LIFE: North East Coastal Town
New album: A celebration of their home city of Hull by the quick-witted, passionate indie post-punk band in a set of songs filled with humour, anguish and anger, but also a love letter to the area, and even all instruments played were locally bought
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Gemma Rogers’ debut album No Place Like Home
Debut album: Variously compared to Kirsty MacColl, Ian Dury, Lily Allen and more, the London post-punk indie artist’s debut LP is a packed with own authentic style of witty, talky, mischievous lyrics and catchy melodies from the perky to wistfully emotional.
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Spot the shrimp: Cave World by Viagra Boys
New album: The third and perhaps best yet album by the Swedish post-punk mischief makers fronted by the charismatic Sebastian Murphy, with a fusion of rock, punk, electronica and funk and packed with punchy, ironic, humorous lyrics, clever guitar riffs and keyboard sounds
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Cola: Deep In View
New album: Thrumming, knotty, catchy, clever, crafty, stop-start indie post-punk with an occasional glimmer of glam-rock by the trio of former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums) with this debut album
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Hercules & Love Affair: In Amber
New album: Andy Butler and friends return with a dark, powerful new LP that in comparison to previously is less dance music, more contemplation of serious issues, featuring again the distinctive countertenor of Anohni, but also percussion by Budgie of Siouxsie & The Banshees
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Gentle Sinners: These Actions Cannot Be Undone
New album: An intriguing, innovative new collaborative project by James Graham of The Twilight Sad and Aidan Moffat of Arab Strap culminates in this mysterious, genre-defying, experimental album of oddly poetic numbers
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Loose Fit: Social Graces
New album: Fresh, raw and full of vitality, the debut album by the Australian quartet of Kaylene Miller, Anna Langdon, Max Edgar and Richard Martin is reminiscent of the British late-70s post-punk bands from the Slits to PIL
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Skinty Fia: the third album by Fontaines DC
New album: The Dublin indie band’s third album comes, alongside the powerful, gritty songwriting, with an expanded sonic identity – guitars atmospherically expressing the darker and unnerving, with some shades of the Cure
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Stylish, strutting, studied performance: Walt Disco
New album: Dramatic, declamatory, stylised and immensely fun, this witty dandy post-punk pop debut with thrumming bass lines and shimmering synths by the Glasgow six-piece with echoes of the 1980s from Associates, Bowie, Human League, Rocky Horror Picture Show to Sparks
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Bodega’s second album, Broken Equipment
New album: Excellent second LP, following 2018’s debut Endless Scroll, by the punchy Brooklyn post-punk band, packed with sharp lyrics, driving rhythms and riffs, with central theme of how we are defined and shaped by outside influences and perceptions, from city environment to advertising
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A Place To Bury Strangers - See Through You
New album: Electro noise rock, progressive gothic post-punk? Whatever the genre label, a striking blast of a new LP by the New York band fronted by Oliver Ackermann now with newer members frenetic drummer Sandra Fedowitz and thrumming bass from John Fedowitz
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