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La Luz: News of the Universe
New album: A fourth studio LP of dreamy, exotic, alluring psychedelia and surf rock by the California quartet fronted by Shana Cleveland, simmering and potent, but made in the dark shadow of a breast cancer ordeal
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Paul Weller: 66
New album: This 17th solo album by the restless, ever-changing stylish mod-rock veteran is one of his mellower, more reflective releases, marking his age, a classic number, and year, distinctively depicted by Peter Blake on the cover art
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Lip Critic: Hex Dealer
New album: A dazzlingly high-octane, white-knuckle ride of a debut album by the New York-based electronica-punk-hip-hop-hardcore-noise-rock band, who push the musical boundaries with express vocal delivery and double drummers
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Big Special: Postindustrial Hometown Blues
New album: A witty, punchy, restless post-punk debut LP by the heavily accented Midlands duo of Joe Hicklin and Callum Maloney, with echoes of Sleaford Mods who they’ve supported on tour, packed with sharp jokes, wordplay and sweary anger about toxic masculinity and the absurdities of modern life
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Barry Adamson: Cut To Black
New album: The Manchester legendary singer and composer, bass player of Magazine, The Bad Seeds and other bands, returns with a stylish, swaggering, 60s-influenced 10th studio solo LP, including timeless Motown, seductive blues, and vividly noir cinematic hues
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The Lovely Eggs: Eggsistentialism
New album: Lancaster’s loveable DIY rockers Holly Ross and David Blackwell return with another punchy collection of comedy, simplicity, profundity and creativity, psych and punk, but also some old-school synth sounds and some complex emotions
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Arab Strap: I'm Totally Fine With It I Don't Give A Fuck Anymore
New album: Menacingly poetic, darkly humorous, searingly sordid and the sweetly sarcastic? It can only be the return of Scotland’s Aidan Moffat and Malcolm Middleton with another fabulously articulate assault on the self and society’s sadness and strangeness
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Mdou Moctar: Funeral For Justice
New album: After 2021’s acclaimed Afrique Victime album, the brilliant Tuareg guitarist and band band from Agadez, Niger, return with explosive, powerful, emotive numbers, impassioned songs about his culture and social wrongs, wrapped in a frenzy of drums, guitars, bass and vocals
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Dea Matrona’s Mollie McGinn and Orlaith Forsythe
New album: Luxuriant genre-spanning rock, pop, country and more in this debut by the Belfast old schoolfriend duo of Mollie McGinn and Orlaith Forsythe, with echoes of artists from Fleetwood Mac’s Stevie Nicks, Shania Twain, HAIM, as well as contemporaries CMAT, and The Last Dinner Party
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Cindy Lee: Diamond Jubilee
New album: One of the most unusual releases of the year – 32 tracks, more than 2 hours, with the style from an indeterminate era, perhaps ghostly love song echoes of 60s girl groups – come delicate and crash-bang electric guitar, percussion and vocals from the glammed-up alter ego of Canadian songwriter, guitarist, and drag performer Patrick Flegel
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The Lemon Twigs: A Dream Is All We Know
New album: Almost exactly a year since their acclaimed Everything Harmony album, the New York all-singing multi-instrumentalist brothers Brian and Michael D’Addario return with sparkling selection of originals particularly influenced by the 60s and early 70s, echoing The Hollies to The Beach Boys to Todd Rundgren
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Fat White Family: Forgiveness Is Yours
New album: Lias Saoudi and co return with their first since 2019’s Serfs Up, one with that despite the troubled departure of founding member Saul Adamczewski during its creation, is an entertainingly sharp, ironic, aesthetic, literary release packed with stylish reference points, soundscapes and tunes
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Iron & Wine: Light Verse
New album: A poetic latest release indeed North Carolina’s Sam Beam, packed with beautiful lyrics and melodies, articulate alternative folk, rock and country with flavours of Paul Simon and Cat Stevens, filled with vivid fictional and personal insights, desperate characters and wide-eyed optimists, heartache, tears and laughter including an appearance by Fiona Apple
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All aflame: St. Vincent - All Born Screaming
New album: Annie Clark’s follow-up to 2021’s 70s-inspired Daddy’s Home is a striking, stylish self-produced LP, with a rawer, starker edge, fierce guitars, a theme of characters pushed between their true selves and how they’re perceived, an includes guests Dave Grohl and Cate Le Bon
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Still House Plants: If I Don't Make It, I Love U
New album: This third album by the truly alternative experimental avant-garde rock-jazz trio brings them stretching to an even more unique sound, oddly free-forming, woozy, otherworldly, and abstract
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BODEGA: Our Brand Could Be Yr Life
New album: Smart, literary, packed with cultural references from film, books and art, the New York post-punk band’s fourth album is a more melodic release than the punchier of previous, being in part a self-reflexive reworking of much older songs from their previous incarnation as Bodega Bay
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English Teacher: This Could Be Texas
New album: An outstanding debut LP – subtle, original and experimental – by the Leeds quartet of Lily Fontaine, Douglas Frost, Nicholas Eden and Lewis Whiting, packed with intelligent, tender, rich, thoughtful, observational metaphor, and broad, inventive instrumentation
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Bob Vylan’s second album: Humble As The Sun
New album: The London hip-hop-punk-heavy-rock duo return with a second helping of articulate, pull-no-punches, take-no-prisoners social and political commentary, taking aim at Tory-ruled Britain, corrupt police, toxic masculinity and other social ills, but alongside righteous rage, some doses of positivity
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The Black Keys: Ohio Players
New album: With a 12th LP, the title and artwork inspired by the legendary funk band from their home state, the duo of singer/guitarist Dan Auerbach and drummer Patrick Carney return with a collaborative spring in their step, their bluesy rock stimulated by co-writers Beck, Noel Gallagher and other guests
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Holiday Ghosts: Coat of Arms
New album: Following last year’s Absolute Reality LP, a further fabulously catchy garage and surf rock selection by the Falmouth band with polished, clean, guitar and bass sounds, wistful, witty, drily humorous lyrics, and marvellous pop melodies across 10 snappy numbers
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