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Built To Spill: When The Wind Forgets Your Name
New album: A welcome return from the veteran (since ‘93) Idaho rock band fronted by Doug Martsch, their first since the the 2020 album of Daniel Johnston covers, back with a set of powerful, mature, stirring rich guitar nine songs
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Souvenirs by Pale Blue Eyes
New album: A marriage of south Devon and Sheffield in the form of couple Matt and Lucy Broad and bassist Aubrey Simpson forms this more elevating, richly sonic indie release that has echoes of New Order, krautrock and Cabaret Voltaire electro-synth pop
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Ezra Furman’s superb All Of Us Flames
New album: The sixth LP by the brilliant, visceral, angelic American is perhaps the finest to date, an impassioned, tour de force, Springsteen-esque cri de coeur for the LGBTQ and Jewish communities, but also stirs hearts of all who feel oppressed or alienated
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Oneida return with the appropriately titled album, Success
New album: The veteran (25 years) New York indie rock band’s first album since 2018’s Romance is a refreshing bounce back of unpretentious joy, krautrocky rhythms, Ramones strums, and rasping guitar Sonic Youth-type squawls, with and LP that’s a throwback that also feels fresh
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Panic!’s irrepressible Brendon Urie
New album: “If a thing’s worth doing, it’s worth overdoing,” once remarked Queen’s Brian May, and this entertainingly over-the-top seventh LP from Brendon Urie channels that philosophy in a rock-pop extravaganza channelling the genre turned up to 11
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Chopper by Kiwi Jr
New album: Third LP in three years after Cooler Returns and Football Money by the four-piece indie band from Toronto, with wistful, melancholy, carefully observed flighted numbers packed with images from tales of corrupt mayors, Kennedy curses, sex tapes, and deer rifles
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Max Pope: Counting Sheep
Debut album: Smooth, finely crafted, lyrically thoughtful fusions of funk, pop, bossa nova, blues, jazz and rock with a cleverly summer, lazy understated feel by the 27-year-old singer-songwriter from south London and Brighton
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Jack White’s latest solo record – Entering Heaven Alive – his second of 2022
New album: Only three months since his fierce, high-octane LP Fear of The Dawn, the now Nashville-based artist’s second of the year is more of an folk songwriting record, with guitar, piano, some additional strings, with the feel of evening porch rendition, and even harks back to the more acoustic White Stripes numbers
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Black Midi’s Hellfire
New album: With heatwaves and wildfires ablaze globally, there could hardly be a more prescient title or dystopian theme by the London prog-rock-jazz experimentalist, whose third LP is strangely among their most accessible among its lightning riffs and stop-start energy of King Crimson or even Buckethead proportions
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Wu-Lu’s debut album Loggerhead
Debut album: A strikingly alternative and genre-defying release by the south London producer and multi-instrumentalist Miles Romans-Hopcraft with influences and echoes from grunge to grime, trip hop, electronica to jazz, dark 80s Factory Records era, Tricky to DJ Shadow to Slipknot
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Art D’Ecco returns with a fourth album and a new look
New album: A witty title for a follow-up album by the Canadian artist after 2021’s breakthrough third LP, Standard Definition, with further fabulous fusion of 70s glam, 80s post-punk, and perfect original pop blend of Sparks, 80s Bowie and Ezra Furman
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Soccer Mommy’s third album: Sometimes, Forever
New album: Richly textured indie, shoegaze and pop by Nashville’s 25-year-old Sophie Allison, here with her third album that contains the dark, world weary, but also tuneful and uplifting material, given extra depth by producer Daniel Lopatin aka Oneohtrix Point Never
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Nova Twins second album, Supernova
New album: After their pre-lockdown debut, Who Are the Girls?, the London duo of lead vocalist and guitarist Amy Love and bassist Georgia South return with a blisteringly exciting hybrid of punk, heavy rock/metal, hip hop, pop and R&B
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Horsegirl
Debut album: Warmly engaging debut of shoegaze from the Chicago indie-rock trio of Penelope Lowenstein (guitar, vocals), Nora Cheng (guitar, vocals), and Gigi Reece (drums) in this album produced by John Agnello (Dinosaur Jr., Sonic Youth)
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Just Mustard’s second album - Heart Under
New album: Striking, experimental, atmospheric noise music in this second LP by the five-piece band from Dundalk, County Louth, Ireland, who use traditional rock instruments to create juddery, industrial, and surreal sounds
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Alex Izenberg’s third album I’m Not Here
New album: Mellow, easy-paced and gently decorated with piano and classical strings, this timeless, mid-70s psych-pop-rock is the third from the Los Angeles singer-songwriter who echoes elements of Harry Nilsson, Randy Newman and King Crimson
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The Smile trio’s first album
New album: Radiohead’s Thom Yorke, Jonny Greenwood, and Sons of Kemet drummer Tom Skinner join forces in album of vivid, eerie, ghostly beauty, packed with fabulous guitar and bass riffs and rhythms, reminiscent of cinematic work as well as In Rainbows
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Warpaint’s first album since 2016
New album: An alluring, quietly intricate but also beautiful fourth LP by the Los Angeles quartet, whose last was in September 2016, and while the world has churned upside down since, their return is wonderfully welcome
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Sunflower Bean’s third album, Headful of Sugar
New album: The smart New York indie-rock trio return with their third album after 2018’s acclaimed LP Twentytwo In Blue with a diverse set of new sounds and songs created mainly in a home studio over lockdown and perhaps their most innovative yet
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Arcade Fire return with their sixth album
New album: The Canadian alt-rockers return with their sixth LP - one filled with almost messianic singalong stadium anthems and also quieter intimacy, perhaps not quite at the peak of their first three, but still a return to past form
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