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Swans: The Beggar
New album: This 16th album in just over four decades by the veteran American experimental band fronted Michael Gira brings brooding, dark menace, written in lockdown, a moving, powerful contemplation of mortality that’s oddly stirring
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Geese: 3D Country
New album: A brilliant second album following 2021’s Projector by the Brooklyn indie-rock quintet, packed with thunderous rocky, bluesy psychedelic grooves, retro yet fresh, stop-start rhythms, and charismatic deep-voiced delivery of Cameron Winter
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Queens of the Stone Age’s eighth LP, In Times New Roman
New album: After a six year absence, Josh Homme and co return with an eighth blistering, brutally brilliant, meaty loud rock LP, returning to more to their roots too – dark, powerfully emotional, ironic, sharp, witty and powerful, here with some elements of Scary Monsters-era Bowie, Cream, epic glam rock, and all fuelled by various personal tragedies
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Dream Wife: Social Lubrication
New album: Punchy, whip-smart, witty, menacing, fierce but also explosively and mischievously fun, the London post-punk band fronted by return with a perhaps their best yet - a pulsating set of sharp, feminist songs about relationships, society and more
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WITCH are back with Zango, their first album since 1984
New album: After a whopping 38 years’ absence, Zambia’s pioneers of zamrock (their name an acronym We Intend To Cause Havoc) return with their heady and wonderful mix of psychedelic rock, reggae, Afrobeat and funk
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Protomartyr: Formal Growth In The Desert
New album: Stormy, dark, passionate, punchy, with biting lyrics, this powerful sixth album by the Detroit-formed post-punk quartet is inspired by the metaphorical desolation of the titular landscape and getting on with life even when it feels impossibly hard
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Lanterns on the Lake: Versions of Us
New album: Sumptuous sounds, passionate lyrics and dynamic musicianship by guitarist Paul Gregory and co in the indie Newcastle-upon-Tyne band fronted by superb singer-songwriter Hazel Wilde with an album about self-definition, identity and “existential meditations examining life’s possibilities” in a troubled world
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Foo Fighters; now in tribute to Taylor Hawkins
New album: With blank white cover art, the mainstream US heavy rockers return with a strong, moving, passionate album mourning the loss of drummer and Dave Grohl’s best friend Taylor Hawkins who died in 2022, as well as tributes to his late mother, Virginia
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Water From Your Eyes: Everyone's Crushed
New album: Uncategorisably ear-catching, experimental indie-pop by the Brooklyn duo Rachel Brown and Nate Amos, in a fifth LP filled with oddball, interweaving sounds, textures and landscapes, electronica to distorted guitar rock, absurdist clever lyrics and melodies
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Arlo Parks’ second album My Soft Machine
New album: After the acclaimed Mercury Prize-winning 2021 debut Collapsed in Sunbeams, the much anticipated follow-up by the now LA-based British artist is filled with poetic self-reflection, intimate, intelligent, gentle pop-soul, but at times falls short of that debut’s initial impact, edge and melodic power
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Brix Smith: Valley of the Dolls
New album: Fizzing with energy, a blistering album of feisty brilliance à la Hole or Breeders, this is possibly the ex-Fall and The Extricated singer’s finest work yet, a debut solo LP featuring a female supergroup that includes My Bloody Valentine’s Deb Googe on bass
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Cloth: Secret Measure
New album: Gently spun, delicately understated and cleverly crafted, dreamy, angular guitar pop-rock with a light touch of synths from the Glasgow twins Rachael and Paul Swinton
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The Lemon Twigs’ fourth LP, Everything Harmony
New album: Rolling back the years to classic 70s Laurel Canyon songwriting with echoes of the Byrds and Beach Boys, the multi-talented New York brothers Brian and Michael D’Addario return with a fourth that’s perhaps their best since 2016 debut Do Hollywood
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Skinny Pelembe: Hardly The Same Snake
New album: The eclectic experimentalist from Doncaster, aka Doya Beardmore, with roots also in Birmingham and Mozambique, comes up with a powerful, visceral new LP, spanning indie, avant-pop, hip-hop, rock, electronica, gospel and soaring soul
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The National’s ninth LP: First Two Pages of Frankenstein
New album: The ninth studio LP by the Brooklyn-based Ohio five-piece of the Dessner brothers co, is slow, reflective and beautifully poetic, capturing singer Matt Berninger’s hopefully winning battle with depression, and includes includes guest Taylor Swift, Phoebe Bridgers and Sufjan Stevens
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The Bloodstreams: How To Be A God
New album: With oodles of swagger, theatricality and panache, a wonderful debut by the seasoned Deptford quartet, with witty, black-humoured 60s garage rock and stylish echoes of Siouxsie, Birthday Party-era Nick Cave, Stones, the Doors and the Kramps
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Fire-Toolz: I am upset because I see something that is not there
New album: Like a bizarre recipe filled with flavours that should not mix, but by some strange alchemy really work, an extraordinary fusion of electronica, ambient, drum’n’bass, jazz, prog, pop, and blasts of dark metal by the Chicago producer, composer, and multi-instrumentalist Angel Marcloid, a heady fusion that must been heard to be believed
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Deerhoof: Miracle-Level
New album: A 19th studio album by San Francisco the prog-punk-jazz experimentalists drummer Greg Saunier, guitarists Ed Rodriguez and John Dieterich, and bassist/singer Satomi Matsuzaki is another blast of brilliant musicianship, but also the first entirely sung in Matsuzaki’s native Japanese
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HMLTD …
New album: Apocalypse: The Musical? This highly entertaining second LP by the British art-rockers could be thus described, but the concept is “an anachronistic version of medieval England” and features a 16-piece string orchestra and gospel choir
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Blondshell aka Sabrina Teitelbaum
New album: Strong, confident indie rock debut by Los Angeles’ Sabrina Teitelbaum, with a set of powerfully candid numbers of full-on guitar, tender, emotional vocals, wrestling delusion and self-destructive relationships
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